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Nazi Era Provenance List
Sculptures, Page 4 of 5
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Jules Desbois France (1851–1935) Phryne 19th century Plaster 14.6 x 6.4 x 7.9 cm 1982.4 Subject type: Mythology, nude Provenance: Iris & B. Gerald Cantor Foundation, Beverly Hills, CA; given to Cantor Arts Center, 1982 Exhibition history: Cantor Arts Center, Gallery 213 Europe & USA 19th C., Nov. 8, 2006–present |
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Jean Alexandre Joseph Falguière France (1831–1900) Bust of Diana c. 1882 Bronze 62.2 x 40 x 26 cm 1982.5 Subject type: Mythology Signature/Inscriptions: "A. Falguière" incised on left side at edge of shoulder; Thiebaud Foundry stamp incised near base Provenance: Christie's, New York City, March 1, 1980, lot 165; Iris and B. Gerald Cantor Foundation, Beverly Hills, CA; given to Cantor Arts Center, 1982 Exhibition history: Cantor Arts Center, Gallery 208 Geballe Family Balcony, Aug. 22, 2002–Oct. 27, 2003 |
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Pierre Jules Mêne France (1810–1879) Mare and Foal after 1869 Bronze 54.1 x 60.7 x 24.4 cm. 1982.6 Subject type: Animal Signature/Inscriptions: "R. J. MÊNE" incised on right side of base Provenance: Christie's, New York City, March 1, 1980, lot 88; Iris and B. Gerald Cantor Foundation, Beverly Hills, CA; given to Cantor Arts Center, 1982 Exhibition history: Cantor Arts Center, Gallery 213 Europe & USA 19th C., 15 May 15, 2002–Sept. 26, 2003 |
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Charles Despiau France (1874–1 Dancer 1927 Bronze, 3/4 45.1 x 15.2 x 8.2 cm 1982.249 Subject type: Genre, nude Signature/Inscriptions: "C. Despiau” etched on base of sculpture; "3/4" inscribed on verso of base Provenance: Bouchholz Gallery, New York City; Fine Arts Association, New York City, 1958; Schoenberg Foundation, St. Louis; Sotheby Parke Bernet, sale no. 4353, March 25, 1980 (Menalapan, Florida, lot 230); Iris and B. Gerald Cantor Foundation, Beverly Hills, CA; given to Cantor Arts Center, 1982 Bibiography: M. Palmer, A Note on Charles Despaiu, 1924 |
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Aimé-Jules Dalou France (1838–1902) The Bather 19th century Bronze, 4/8 55.9 x 34.3 x 34.3 cm 1982.307 Subject type: Nude, genre Signature/Inscriptions: Provenance: John Grioni (dealer), Rome; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1982 Exhibition history: On loan to Cornell University, May, 1978–Dec.,1982; Cantor Arts Center, Gallery 208 Geballe Family Balcony, 22 Aug. 2002–Fall, 2012 Bibliography: "Principales Acquisitions des Musées en 1983", La Chronique des Arts (Supplément à La Gazette des Beaux-Arts), No. 1382, March, 1984, p. 60 |
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Auguste Rodin France (1840–1917) Head of Man With One Ear c. 1898–1912 Plaster 12.7 x 7.6 x 12.7 cm 1982.329 Subject type: Portrait Provenance: Charles Feingarten, Los Angeles; Albert and Patricia Elsen, Stanford, CA; given to Cantor Arts Center, 1982 Exhibition history: Cantor Arts Center, Gallery 127 Rodin, Feb. 4, 2009– present Bibliography: A. Le Normand-Romain, The Bronzes of Rodin (Editions de la Reunion des Musees Nationaux, Paris, 2007), vol. 2, pp. 678-679 |
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Pierre-Jean David, called David d'Angers Labels/Marks: "Eck et Durard #79" on verso, in raised lettering |
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Auguste Rodin France (1840–1917) Bust of Pierre Puvis de Chavannes 1890–1891 Bronze 44.5 x 25.4 x 25.4 cm 1983.204 Subject type: Portrait Signature/Inscriptions: "A. Rodin" on sinister base, right side (proper left) Provenance: Sacha Guitry, Paris; Feingarten Galleries, Los Angeles; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1983 Exhibition history: Ruben on Rodin: The Photographs of Ernestine Ruben, Cantor Arts Center, Gallery 211 Halperin, Nov. 29, 2000– April 4, 2001 Bibliography: A. Le Normand-Romain, The Bronzes of Rodin (Editions de la Reunion des Musees Nationaux, Paris, 2007), vol. 2, p. 620 |
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Félix Lecomte France (1737–1817) Marie-Antoinette after 1783 Bronze 73.6 x 53.4 x 25.5 cm. 1983.266 Subject type: Portrait Signature/Inscriptions: "Lecomte 1783" on back of neck Provenance: Private collection, Paris; Heim Gallery, London, by 1968; purchased by Cantor Arts Center, 1983 Exhibition history: Heim Gallery, London, Winter, 1968, no. 70; Cantor Arts Center, Gallery 206 Europe 15th-18th C., Aug. 30, 2013–present Bibliography: The Stanford Museum, XII–XIII, 1982–83, p. 27, repr.; C. L. Chappell, "Marie-Antoinette and the Imaging of Majesty", Cantor Arts Center Journal, vol. V, Bernard Barryte, ed. (Stanford, 2008), fig. 1, pg. 4, repr. |
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Cologne Master |
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Munich Master Germany (active 1450–1455) Standing Apostle c. 1480 Limewood with polychrome 125 cm (height) 1983.270 Subject type: Religious Provenance: Julius Böhler (dealer), Munich; sold to Cantor Arts Center, 1983 |
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Auguste Rodin France (1840–1917) The Age of Bronze (Life-Size) 1875–1876, cast c. 1920 Bronze 180.3 x 50.8 x 50.8 cm 1983.300 Subject type: Allegory, nude Signature/Inscriptions: "Rodin" on top of base at left; "Alexis Rudier/Fondeur. Paris" on back side of base to right; "A. Rodin" cachet on interior Provenance: Reynaud Icare, Paris; Wildenstein Gallery; Charles Zadak, New York City; Bruton Gallery, Somerset, NY; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1983 Exhibition history: Reductions and Enlargements, B.G. Cantor Sculpture Center, 1983–1984; Museum of Art, University of Oregon, Eugene, OR, 13 March 13, 1990–mid-April, 1997; Studio Rodin: Bronzes from the Stanford University Museum of Art, Crocker Art Museum, Sacramento, CA, May 4, 1997–Jan. 25, 1998; Cantor Arts Center, Gallery 128 Rodin, Jan. 21, 1999–June 18, 2004; Variable States: Intention, Appearance, and Interpretation in Modern Sculpture, Nasher Sculpture Center, Dallas, TX, Sept. 18, 2004–Jan. 2, 2005; Cantor Arts Center, Gallery 128 Rodin, March 31, 2005–Aug. 7. 2008; Rodin and America: Influence and Adaptation, 1876–1936, Cantor Arts Center, Oct. 4, 2011–Jan. 1, 2012; Cantor Arts Center Gallery 128 Rodin, Jan. 20, 2012–present Bibliography: R. Butler, J.P. Plottel, J.M. Roos, Rodin's Monument to Victor Hugo, exhibition catalogue, 1998, p. 50, fig. 16 (repr.); J. Bellow, “Reforming Dance: Auguste Rodin's "Nijinsky" & Vaslav Nijinsky's "L'Après-Midi d'un Faune,” Cantor Arts Center Journal, III, 2002–2003, pp. 172–183, repr. p. 173; A. Le Normand-Romain, The Bronzes of Rodin (Editions de la Reunion des Musees Nationaux, Paris, 2007), vol. 1, p. 123; B. Barryte & R. Tarbell, eds., Rodin and America: Influence and Adaptation, 1876–1936, Cantor Arts Center, exhibition catalogue (Silvana Editoriale, Milan, 2011), fig. 7, pg. 16-17, pg. 27, repr.; B. Barryte, “Taste and Opportunism: The Ex-Walters Thinker”, The Journal of The Walters Art Museum, vol. 70–71, R. Mintz, ed. (Baltimore, 2013), fig. 2, p. 102, repr. |
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Auguste Rodin Exhibition history: Cantor Arts Center, Gallery 127 Rodin, Feb. 4, 2009– present |
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Auguste Rodin France (1840–1917) Skull c. 1899 Plaster 7.6 x 5.7 x 8.3 cm 1983.316 Subject type: Provenance: Albert E. and Patricia M. Elsen, Stanford, CA; given to Cantor Arts Center, 1983 Exhibition history: Cantor Arts Center, Gallery 128 Rodin, Sept. 30, 1998–Aug. 7, 2008, Feb. 6, 2009–present |
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| <image not available> | Pierre-Jean David, called David d'Angers France (1788–1856) Portrait Medallion of Alphonse de Gisors 1827 Bronze 11.1 x 11.1 cm 1984.137 Subject type: Portrait Signature/Inscriptions: “David” on neck and below neck; "Alphonse Degisors Architecte" to left of portrait.; on verso, indistinct numbers and letters and "215" impressed next to hole at top Provenance: David and Constance Yates (dealer), New York City; purchased by Cantor Arts Center, 1984 |
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Emile-Antoine Bourdelle France (1861–1929) Torso of Venus19th century Bronze, 8/8 27.9 x 12.7 x 15.2 cm 1984.245 Subject type: Mythology, nude Signature/Inscriptions: "Bourdelle" on right side of base; [illegible] star (?) 8(?) BOURDELLE, stamped on right side of base Provenance: Galerie Hervé Odermatt, Paris; Sotheby Parke Bernet, London, December 6, 1979, lot 524; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1984 Exhibition history: Rodin, Fresno Arts Center and Museum, Fresno, CA, Sept. 1, 1987– Jan. 3, 1988 |
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Auguste Rodin France (1840–1917) Figure from the Vase of the Titans 19th century Terracotta 29.5 x 15.2 x 15.2 cm 1984.430 Subject type: Nude Provenance: Sale, Hotel Drouot, Paris, 1971; John Wisdom; Kirk Varnedoe; sold to B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1984 Exhibition history: Cantor Arts Center, Gallery 128 Rodin, Feb. 5, 2009– present |
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Pierre-Jean David, called David d'Angers France (1788–1856) Portrait of Paul Huet 1838 Bronze 3.5 x 16.3 x 16.3 cm 1985.11 Subject type: Portrait Signature/Inscriptions: “David” below head; "Paul Huet/Pictor" on left side of head; "246" on verso above head Provenance: David & Constance Yates (dealer), New York City; purchased by Cantor Arts Center, 1985 Exhibition history: The Forest of Fontainebleau and its Artists, Jan. 14–April 20, 1986, Cantor Arts Center, Miedel Room (now Halperin Gallery) |
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| <image not available> | Aimé-Jules Dalou France (1838–1902) Head of Silenus c. 1885 Bronze 7 x 10 x 5.3 cm 1986.35 Subject type: Mythology Signature/Inscriptions: Signed, proper lower right, incised cast; "Cire Perdue", "La Hebrard", "32", cast stamp, incised proper left Provenance: David & Constance Yates (dealer), New York City; purchased by Cantor Arts Center, 1986 Exhibition history: Cantor Arts Center, Gallery 213 Europe & USA 19th C., Nov. 8, 2006–present |
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| <image not available> | Artist unknown Italy Female Saint 18th century Wood, gilt, and gesso 33.5 x 17.7 x 7.5 cm 1986.165 Subject type: Religious Provenance: Dr. H. Sidney Newcomer, Menlo Park, CA; given to Cantor Arts Center, 1986 |
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Auguste Rodin France (1840–1917) Young Girl with Roses in Her Hair c. 1868 Pigmented plaster, with terracotta-colored slip (?), or low-fired terra cotta w 35.6 x 19.1 x 20.3 cm 1986.185 Subject type: Genre Signature/Inscriptions: "A. Rodin" on edge of sinister shoulder Provenance: Sotheby Parke Bernet, New York City, May 17, 1979, lot 202; B. Gerald Cantor, Beverly Hills, CA; Cantor Foundation; given to Cantor Arts Center, 1986 Exhibition history: Rodin en Belgique, March 17–June 15, 1997, Musée Rodin, Paris; Cantor Arts Center, Gallery 128 Rodin, Oct. 2, 1998–Aug. 7, 2008, Feb. 5, 2009–present |
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Auguste Rodin France (1840–1917) The Alsatian Orphan 1871 Plaster 17.8 cm 1986.187 Subject type: Genre Signature/Inscriptions: "Rodin" on verso Provenance: Galerie Philippe Cezanne, Paris; Iris & B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1986 Exhibition history: Cantor Arts Center, Gallery 128 Rodin, Feb. 5, 2009– present |
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Auguste Rodin France (1840–1917) Fatigue 1887 Plaster 15.9 x 21 x 52.1 cm 1992.140 Subject type: Allegory Provenance: Marie Cartier, France; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1992 Exhibition history: Collecting for Stanford: Selected Acquisitions, 1990-1995, T.W. Stanford Art Gallery, July 5–Sept. 3,1995; Cantor Arts Center, Gallery 128 Rodin, Oct. 5, 2011– present Bibliography: A. Le Normand-Romain, The Bronzes of Rodin (Editions de la Reunion des Musees Nationaux, Paris, 2007), vol. 1, p. 355 |
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Auguste Rodin France (1840–1917) The Sphinx 1889 Plaster 21 x 15.9 x 15.2 cm 1992.157 Subject type: Mythology Provenance: Marie Cartier, France; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1992 Exhibition history: Cantor Arts Center, Gallery 128 Rodin, Feb. 5, 2009– present Bibliography: A. Le Normand-Romain, The Bronzes of Rodin (Editions de la Reunion des Musees Nationaux, Paris, 2007), vol. 2, p. 657 |
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Auguste Rodin France (1840–1917) Eustache de St. Pierre c. 1899 Bronze, 10/12 48.3 x 25.4 x 15.2 cm. 1992.163 Subject type: Portrait Signature/Inscriptions: "A. Rodin" on back dexter corner; "Alexis Rudier/Fondeur Paris" on back dexter edge Provenance: Feingarten Galleries, Los Angeles; B. Gerald Cantor, Beverly Hills, CA; given to Cantor Arts Center, 1992 Exhibition history: Works in Bronze, A Modern Survey, Art Gallery, California State University of Sonoma, Sonoma CA, Sept. 1984–Oct. 1986; Museum of Art; University of Oregon, Eugene, OR, 13 March 13, 1990–mid April 1997; Studio Rodin: Bronzes from the Stanford University Museum of Art, Crocker Art Museum, Sacramento, CA, May 4, 1997– Jan. 25, 1998 Bibliography: A. Le Normand-Romain, The Bronzes of Rodin (Editions de la Reunion des Musees Nationaux, Paris, 2007), vol. 1, p. 229 |
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