Mortification Man
By DENNIS LIM
Noah Baumbach’s “Greenberg” crystallizes the Ben Stiller persona.
You do not have the correct Flash player version to view this feature.
In order to view this feature, you must download the latest version of Flash.
Once you have downloaded the latest version of Flash player, you will need to reload this page.
Gianni Di Gregorio’s luminous sliver of a film, “Mid-August Lunch,” is a Chekhovian vignette about the joys and regrets of old age and the pleasures of sociability.
The most striking thing about “The Runaways,” a new film about the trailblazing bad-girl rock band from the 1970s, is how authentic it feels.
Kathryn Bigelow’s two-fisted win at the Academy Awards has helped dismantle stereotypes about what types of films women can and should direct.
Robert Rodriguez, producer of the film "Predators," offered a first look at the film and discussed some of its creatures to come.
The film “Mall Girls” has provoked a national debate about moral decadence in Poland, 20 years after the fall of Communism.
Mr. Graves, the television spymaster and the host of the “Biography” series, also successfully spoofed his own gravitas in the “Airplane” movie farces.
The actor Edward Norton discusses his approach to comedy in "Leaves of Grass."
Hollywood suffered its first major flop of the year over the weekend with the debut of the Iraq thriller “Green Zone,” which sold an anemic $14.5 million in tickets at North American theaters.
Matthew Vaughn, the director of the South by Southwest opening-night film discusses how he directs action.
Waning ad revenue and increasing competition on the Web raise the question if entertainment trade papers like Variety and The Hollywood Reporter can survive.
“The Girl With the Dragon Tattoo” and its celebrated director arrive in America, each trailing big expectations.
Although she was perhaps the biggest female star of the silent era, Norma Talmadge is barely remembered today.
Zhao Dayong’s documentary is a nearly three-hour-long visit to a remote Chinese mountain village.
In “Green Zone,” action under pressure is a test and a revelation of character.
A son’s arrest for murder leads to a parent’s crusade in “Mother.”
Bong Joon-ho, the South Korean director, narrates a scene from his film.
A. O. Scott looks at Peter Yates's 1973 film, starring Robert Mitchum as a small-time gun dealer in Boston.
Images from films appearing in the 2010 Rendez-Vous With French Cinema series.
“Its was a sort of brilliant modern French ‘Godfather’, tension-filled, great acting, with layers of story,” writes Mike L. in Washington.
This guide includes links to the original reviews from the archives of The New York Times.
1. |
$208.6 M | ||
2. |
$14.5 M | ||
3. |
$9.6 M | ||
4. |
$8.3 M | ||
5. |
$108.0 M | ||
6. |
$7.6 M | ||
7. |
$730.3 M | ||
8. |
$21.4 M | ||
9. |
$39.4 M | ||
10. |
$33.4 M |