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Morgan: A Lyric

By Boyer Rickel in Features

The writer reflects on love and disease after losing his partner.

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The Science of Sex

Katherine Rowland interviews Daniel Bergner in Interviews

The journalist on researching lust, the myth of female monogamy, and why “voyeurism is essential to good writing.”

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Portraits Of Blackness

Lauren K. Alleyne interviews Retha Powers  in Interviews

The general editor of the first major collection of black quotations on art and expression throughout African-American history.

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South Carolina: The Border Control State

By Todd Miller in Features

After eighteen years in South Carolina, the first state with its own border patrol unit, a woman makes the decision to “self-deport.”

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Experiments in Change

Jamilah King interviews Deepa Gupta in Interviews

The longtime climate change activist talks about online organizing in the Global South and the incremental nature of political change.

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Between You and Me

By Chelsea Haines in Art

Can the art world embrace straight talk, or is it doomed to sound liked poorly translated French?

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Crossing the Rio Grande

By Courtney Angela Brkic in Fiction

“The Pacific Ocean,” he was telling their children through the rearview mirror, “is greater than the Atlantic. Many creatures are living there.”

Psychopomp

Psychopomp

By Paul Beilstein in Poetry

The popular literature says I got / the right amount of sleep

MORE INTERVIEWS

The Science of Sex

Katherine Rowland interviews Daniel Bergner

Portraits Of Blackness

Lauren K. Alleyne interviews Retha Powers

Experiments in Change

Jamilah King interviews Deepa Gupta
see all »

INTERVIEWS

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Portraits Of Blackness

Lauren K. Alleyne interviews Retha Powers

The general editor of the first major collection of black quotations on art and expression throughout African-American history.

MORE INTERVIEWS

MORE POETRY

Psychopomp

By Paul Beilstein

Dear Juniper,

By Russ Woods

Picking Up Branches After A Wind Storm

By Sara J. Grossman
see all »

POETRY

Dear-Juniper

Dear Juniper,

By Russ Woods

Just tell me it’s impossible for someone / to stop being invincible later on after starting out that way.

MORE POETRY

MORE FICTION

The World in the Evening

By Norman Lock

Crossing the Rio Grande

By Courtney Angela Brkic

Pelion

By Mario Alberto Zambrano
see all »

FICTION

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The World in the Evening

By Norman Lock

To get to the point: last night an iceberg slid out of my mind and into the room, sheathing first the windows and then the walls with frost.

MORE FICTION

MORE ART

Between You and Me

By Chelsea Haines

Youtopia

By Danial Nord

Brothers in Arts

Artwork by the Gao Brothers
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ART

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Between You and Me

By Chelsea Haines

Can the art world embrace straight talk, or is it doomed to sound liked poorly translated French?

MORE ART

GUERNICA DAILY

Beverly Gologorsky: In the Shadow of War

December 10, 2013

The absence of war in contemporary American literature isn’t about politics or violence; it’s about class.

Robert Reich: JP Morgan Chase, the Foreign Corrupt Practice Act, and the Corruption of America

December 10, 2013

Why hiring China’s “princelings” amounts to business by bribery.

Jessica Conrad: Why Mayors Should Rule the World

December 9, 2013

Except maybe Bob Ford.

Robert Reich: One Answer to Low-Wage Work: Redistributing the Gains

December 9, 2013

We can finance much of this redistribution to the working poor by ending unnecessary redistributions to the wealthy.

Eve Ensler: Our Work Now Is Embodiment

December 6, 2013

The artist-activist talks with Michael Klein about surviving cancer, working in the Congo, and how both came together in her latest book, In The Body of the World.

Pratap Chatterjee: Hollywood Without the Happy Ending

December 6, 2013

How the intelligence community in America fails to achieve the success of its fictonal counterpart.

Richard Falk: Escaping the Abusive State After Snowden

December 6, 2013

The modern liberal state needs to find a decent balance between freedom and security.

Jonathan Lee: Scott Cohen’s Unfinished Ballad

December 5, 2013

A photographer who understands Nabokov’s assertion that “imagination is a form of memory,” that as human beings we are forever recreating our own lives.

Read more articles from the Guernica Daily >

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