Hugh Jackman with fans after the opening night of his Broadway show.
The fantasy of Hugh Jackman: your dream lover, your gay best friend, and no embarrassing meltdowns.
A recent donation to the New York Public Library for the Performing Arts will give the public more access to memorabilia from Caffe Cino, the birthplace of Off Off Broadway.
Maple and Vine Marin Ireland and Peter Kim as a couple tired of stress in a play by Jordan Harrison at Playwrights Horizons.
In Jordan Harrison’s play “Maple and Vine,” stressed-out New Yorkers move into a community that tries to recreate the 1950s.
"Rodgers and Hammerstein's Cinderella," based on the 1957 television musical starring Julie Andrews, will be reconceived with the intent of bringing it to Broadway in 2012.
“Neighbourhood Watch,” part of the annual Brits Off Broadway festival, will probably not be ranked high among Alan Ayckbourn’s staggering output.
The one-man show “Mad Women” at the Club at La MaMa finds John Fleck reflecting on his childhood.
After having the leading role in an early version of the play, Robinson contributed to a reworking of it.
The talented creators of “Once,” a musical inspired by the 2006 film starring Glen Hansard and Marketa Irglova, faced a big problem that they’ve only partly resolved.
Mr. Friedman was a ubiquitous presence in and around New York theaters in the 1950s and 1960s
“A Christmas Story” has been turned into an almost $5 million musical, currently on a five-city tour, with hopes to build a holiday franchise in whatever locale it plays.
Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Recent show reviews from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Top-grossing Broadway shows for the week ending Dec. 4.
A selected guide to theater productions in New York, including those opening and in previews.
In style and content “The Jazz Singer” is undeniably a period piece, schmaltzy and partly calcified by some dated dialogue. But its core themes endure.
The Atlantic Theater Company is presenting “Happy Hour,” a wearying evening of short plays by Ethan Coen.
John Turturro and Dianne Wiest star in Andrei Belgrader’s heartbreakingly funny production of Chekhov’s “Cherry Orchard,” at the Classic Stage Company.
The electrifying Cillian Murphy seems to inhabit every millimeter of the wasteland in which he has been let loose in “Misterman,” Enda Walsh’s one-man play.
A bumper-car ride down memory lane for habitués of the Brooklyn Academy of Music.
The stars of the film “Once” and those of the stage musical discuss what is similar — and what is not — about the two versions.
Steven Boyer maintains the illusion of two simultaneous performances in “Hand to God,” as a teenager and his violent and vulgar puppet alter id.
Mr. Woldin also traveled with the Ink Spots and Lionel Hampton, and played in the “Hello, Dolly!” orchestra on Broadway.
Many of these shows are currently in previews.
Charles Isherwood compares Hugh Jackman, Patti Lupone and Mandy Patinkin on stage.
Interviews with performers, designers and others in the theater, on Broadway and off.
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