CNF 03 W — Creative Nonfiction III: The Turning Point
Summer
Date(s)
Jun 22—Aug 28
10 weeks
Drop By
Jun 25
Units
3Fees
Limit
17
Closed
The middle is all about the art of execution.
—Dani Shapiro
This course, a continuation of Creative Nonfiction I and II, embraces the highs and lows of the book-writing experience. In this course, we’ll delve into the “long middle” of your manuscript—which, depending on your project, can be anything past chapter one. Our theme for the quarter will be “the turning point”—an actual and metaphorical description for the type of work that must happen once manuscripts have moved beyond their beginning stages. Not only will your writing need to push characters into new territories—forcing self-exploration, revelation, and change (also known as turning points)—but also you, as the writer, must do the same.
We will start with some tough questions: Does your structure support your storytelling? Will the narrative choices you’ve made so far encourage the completion of a book? Next, we will push our writing to new highs through intense workshopping and discussion of character, scene, dialogue, plot, tension, and voice. We’ll address strategies for organization and conducting supplemental research, and we’ll cope with the anxiety that can affect morale. Over ten weeks, you will produce the equivalent of three chapters or linked essays (about fifty pages) and submit twenty-five of those pages for workshopping.
—Dani Shapiro
This course, a continuation of Creative Nonfiction I and II, embraces the highs and lows of the book-writing experience. In this course, we’ll delve into the “long middle” of your manuscript—which, depending on your project, can be anything past chapter one. Our theme for the quarter will be “the turning point”—an actual and metaphorical description for the type of work that must happen once manuscripts have moved beyond their beginning stages. Not only will your writing need to push characters into new territories—forcing self-exploration, revelation, and change (also known as turning points)—but also you, as the writer, must do the same.
We will start with some tough questions: Does your structure support your storytelling? Will the narrative choices you’ve made so far encourage the completion of a book? Next, we will push our writing to new highs through intense workshopping and discussion of character, scene, dialogue, plot, tension, and voice. We’ll address strategies for organization and conducting supplemental research, and we’ll cope with the anxiety that can affect morale. Over ten weeks, you will produce the equivalent of three chapters or linked essays (about fifty pages) and submit twenty-five of those pages for workshopping.
This is the third course of “The Creative Nonfiction Book: A Three-Part Series.” While these courses build upon one another, each course can be taken independently as well.
This is an online course. For more information about the
Online Writing Program, visit continuingstudies.stanford.edu/onlinewriting.
Anne Zimmerman, Author
Anne Zimmerman is the author of An Extravagant Hunger: The Passionate Years of M.F.K. Fisher, Love in a Dish and Other Culinary Delights, and M.F.K. Fisher: Musings on Wine and Other Libations. She has been teaching memoir writing in the Continuing Studies program since 2011. She received an MA from San Diego State.Textbooks for this course:
(Required) Tracy Kidder and Richard Todd, Good Prose: The Art of Nonfiction (ISBN 1400069750)
(Required) Kyle Boelte, The Beautiful Unseen: A Memoir (ISBN 1619024586)
(Required) Kyle Boelte, The Beautiful Unseen: A Memoir (ISBN 1619024586)