FLM 108 — How to Recognize Cinematic Greatness: What Goes into a Masterpiece
Summer
Thursdays
Date(s)
Jun 25—Jul 30
6 weeks
Drop By
Jul 8
Units
1Fees
Open
To paraphrase Tolstoy, bad movies tend to be alike, but great movies are great in their own way. Each one is a new discovery, a new combination of elements, original and heartfelt, usually a work of vision and passion. Yet they do have recurring characteristics: They tend to say something true about their time. They usually enunciate or embody a timeless truth about the human experience. They often contain a great performance. They usually have one or two unforgettable, emblematic moments. And they usually have a point of view, a personal signature that pulls all of the elements into sharp relief.
Mick LaSalle has spent years studying great movies and trying to recognize them “in the cradle,” before anyone takes them seriously. Through clips that illustrate each of the above criteria, and through watching full-length films that contain the elements of greatness, students will learn to separate the classic from the ephemeral and to spot which films will stand the test of time. Among the films studied will be Casablanca, Some Like It Hot, Elmer Gantry, Inglourious Basterds, The Lives of Others, and Like Crazy.
Mick LaSalle has spent years studying great movies and trying to recognize them “in the cradle,” before anyone takes them seriously. Through clips that illustrate each of the above criteria, and through watching full-length films that contain the elements of greatness, students will learn to separate the classic from the ephemeral and to spot which films will stand the test of time. Among the films studied will be Casablanca, Some Like It Hot, Elmer Gantry, Inglourious Basterds, The Lives of Others, and Like Crazy.
Mick LaSalle, Film Critic, Hearst Newspapers
Mick LaSalle is the author of three books, Complicated Women: Sex and Power in Pre-Code Hollywood, Dangerous Men: Pre-Code Hollywood and the Birth of Modern Man, and The Beauty of the Real. He writes for the San Francisco Chronicle, the Houston Chronicle, and other Hearst newspapers.Textbooks for this course:
No required textbooks