Riff
From Tweet to Ad to Mini Modern Scandal
By A. O. SCOTT
A descent into the wormhole created by the collision of movie-awards campaigning and paracritical chirping.
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The movie industry awaits the announcement, on Thursday, of Oscar nominees, though the movie with the most nods is no longer guaranteed to win best picture.
Flooding theaters isn’t good for filmmakers or filmgoers.
A descent into the wormhole created by the collision of movie-awards campaigning and paracritical chirping.
Supporting actor Oscar hopefuls like Jared Leto, Bradley Cooper and Jonah Hill underwent a raft of physical transformations for their roles.
The silent half of the illusionist duo has a lot to say about making a film about a hypothesis that Vermeer used optical equipment for his paintings.
The director discusses why he took on a martial arts film, why he shortened it for American audiences and what it’s like being a newcomer to the Oscar process at 55.
The musician says the film lacks the optimism that she recalls from the folk scene.
“The Legend of Hercules,” directed by Renny Harlin, has lots of abs and Kellan Lutz as the title demigod.
“Cold Comes the Night” pits a young motel owner against a criminal who takes her and her daughter hostage to recover a fortune in cash.
“In Bloom,” Georgia’s entry for the Best Foreign Language Film Oscar, tracks the lives of two girls in Tbilisi in 1992, during the newly independent country’s civil war.
In “The Rocket,” a Laotian boy’s family faults him for the terrible circumstances they face when they are forced to relocate.
A mother with two daughters finds work in Florida as a marijuana smuggler, in this semiautobiographical drama written and directed by Shana Betz.
Were you longing for a gross-out comedy about fitness centers? Do you need to see more Fabio on screen? “Dumbbells” is here.
In “Raze,” abducted women are obliged to fight each other to the death if they want a loved one to survive.
After a violent mugging, a young New York woman moves to Austin, Tex., in search of peace and security in “Loves Her Gun.”
In “Return to Nuke ’Em High,” the consumption of, er, foodstuffs causes the glee club to mutate into a vicious gang.
The documentary “Grounded” claims that bare-skin contact with the earth can cure a variety of common ills.
In the documentary “If You Build It,” two activists help North Carolina students reinvent their surroundings by teaching them design and construction skills.
“Truth” focuses on a troubled young man who gives into his dark side after falling for someone he met on the Internet.
“Chander Pahar” centers on a Bengali boy who sets out in search of gold and diamond mines and confronts a cave monster.
“The Truth About Emanuel,” a difficult teenager becomes fascinated with a mysterious woman who moves in next door with her new baby.
“The Suspect” centers on a former North Korean operative who is on the run after being framed for the murder of his boss.
The documentary “Divorce Corp.” argues that lawyers and courts collude to make divorces as expensive and drawn-out as possible.
Bruce Ramsay’s “Hamlet” is set in an upper-class, buttoned-down home in postwar London.
“The Great Flood” uses music and stark images to tell about the destruction and aftermath of the 1927 Mississippi River flood.
The Israeli directors Aharon Keshales and Navot Papushado have been winning awards in their country for their thriller “Big Bad Wolves.”
“The Wicker Man” became a horror classic after enduring production troubles. A new Blu-ray version restores some footage.
The story of the woman who inspired the film “Philomena” is heartbreaking. But so is that of the man who was her real-life son.
Years after the fact, two children are found to have gone home from the maternity ward with the wrong parents.
The South by Southwest film festival announces its opening-night film, written, directed by and starring Jon Favreau.
Stephen Prouty discusses his makeup design for “Jackass Presents: Bad Grandpa,” which is on the Oscar shortlist in that category.
The costume designer Michael Wilkinson discusses his inspirations for the looks in “American Hustle.”
Ms. Streep had the audience roaring when she presented a National Board of Review award to Ms. Thompson, who was in equally fine form.
Thomas Vinterberg, director of Denmark’s foreign-language Oscar hopeful, “The Hunt,” speaks about his involvement with the Dogma 95 movement and how his new film grew out of an earlier success.
Weber Shandwick will join the Sundance Institute in producing “Live@Sundance,” an hourlong show, on YouTube.
The director, Zhang Yimou, and his wife were ordered to pay $1.24 million as a penalty for having three children.
At the New York Film Critics Circle dinner, Harry Belafonte’s tribute to “12 Years a Slave” brings the room to a standstill.
Mr. Shaw and his older brother, Run Me, were movie pioneers in Asia, producing and sometimes directing films like “Five Fingers of Death.”
The film festival there is a chance for Oscar contenders facing long odds to make headway, and that’s just what Meryl Streep, Tom Hanks and others did.
Don’t count the singer-songwriter Christine Lavin among the fans of “Inside Llewyn Davis.” “I hate this film,” she tells the Bagger.
Tom Hanks and Emma Thompson on "Saving Mr. Banks," Alfonso Cuarón on "Gravity," Chiwetel Ejiofor on "12 Years a Slave," the Woody Allen genome and more.
The New York Times movie critics on "The Rocket," "Cold Comes the Night" and "In Bloom."
Stephen Frears narrates a scene from his film featuring Judi Dench and Steve Coogan.
The supporting actor race is expected to be crowded. Jared Leto, Casey Affleck and Jake Gyllenhaal all underwent dramatic transformations to get into character and their work could mean an Oscar.
Catherine Martin, the costume and production designer for ‘The Great Gatsby,’ says a key to keeping the costumes exciting was not to rely only on old standbys like the beaded flapper dress.
“American Hustle” and “12 Years a Slave” are among a critic’s favorite films of the year.
The film critic A. O. Scott picks his favorites of 2013 from an ever-broadening field.
Movies like “Nebraska,” “Gravity” and “The Wolf of Wall Street” express a creeping sense of powerlessness in modern society.
A video gallery of one-line films starring the actors who gave the year’s best performances.
In this series, directors discuss ideas and techniques behind moments in their films.
Sign up here for our Movies Update e-mail, delivered each Friday, and stay on top of Critics’ Picks, blockbusters and independent films.
This guide includes links to the original reviews from the archives of The New York Times.
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