Review: Falcons and Falconers in the Desert of Qatar The new documentary “The Challenge” observes the leisure pursuits of a group of rich young men. By A. O. SCOTT
Review: The Hard Road of Decency in ‘The Unknown Girl’ A young doctor struggles with her conscience in this latest film from the Dardenne brothers. By A. O. SCOTT
Review: ‘It’ Brings Back Stephen King’s Killer Clown This new, updated adaptation follows a bunch of kids on the trail of an evil force. By A. O. SCOTT
Review: A Civil War Erupts in ‘Bushwick’ Forget high rents and artisanal pizza. This dystopian glimpse of a Brooklyn neighborhood features an army of snipers and storm troopers. By A. O. SCOTT
Review: In ‘Crown Heights,’ Justice Delayed and Denied Based on a true story, Matt Ruskin’s film stars Lakeith Stanfield as a man who spent decades in prison for a crime he did not commit. By A. O. SCOTT
Review: ‘Patti Cake$,’ a Classic Striver’s Tale With a Hip-Hop Beat This showbiz tale finds new talent in Danielle Macdonald, its star, and Geremy Jasper, its writer and director. By A. O. SCOTT
Review: ‘Logan Lucky’: Steven Soderbergh and His Motley Band of Thieves This class-conscious caper, with Channing Tatum and Adam Driver as down-on-their-luck brothers, is ridiculously entertaining. By A. O. SCOTT
Review: ‘The Hitman’s Bodyguard,’ With Samuel L. Jackson Mr. Jackson is an ill-tempered contract killer. Ryan Reynolds is his uptight protector. You can figure out the rest. By A. O. SCOTT
Review: In ‘Nocturama,’ Bored, Beautiful Terrorists With a Taste for Luxury Brands Bertrand Bonello’s “Nocturama” chronicles a dramatic attack in Paris, with remarkably little resonance with current events. By A. O. SCOTT
Review: A ‘Good Time,’ if in Name Only Robert Pattinson plays a not-too-bright bank robber on the run in Josh and Benny Safdie’s latest film, “Good Time.” By A. O. SCOTT
Review: Woody Harrelson as a Wild and Crazy Dad in ‘The Glass Castle’ Adapted from Jeannette Walls’s best-selling memoir of her chaotic childhood, a movie decides to play it safe. By A. O. SCOTT
Review: In ‘Detroit,’ Black Lives Caught in a Prehistory of the Alt-Right Kathryn Bigelow’s new movie, set amid the Detroit riots of 1967, grapples with the legacy of American racism. By A. O. SCOTT
Review: In ‘Landline,’ the Family That Strays Together Jenny Slate, John Turturro and Edie Falco star in Gillian Robespierre’s new comedy, set in 1995. By A. O. SCOTT
Review: In ‘The Untamed,’ Close Encounters. No, Even Closer. A slimy, many-tentacled alien has sex with several unhappy residents of the Mexican city of Guanajuato in Amat Escalante’s movie. By A. O. SCOTT
Review: ‘Valerian’ Is a Rave in Space (but Not Much Fun) If you can summarize the plot of Luc Besson’s film adaptation of the graphic-novel science fiction series, you weren’t paying attention. By A. O. SCOTT
An Appraisal In George Romero’s Zombie Films, the Living Were a Horror Show, Too Our critics discuss the influence of the director’s body of work, including “Night of the Living Dead” and its depiction of white law enforcement. By A. O. SCOTT and JASON ZINOMAN
Review: ‘Endless Poetry,’ Alejandro Jodorowsky’s Surreal Self-Portrait An 88-year-old polymath’s nostalgic look back on the Chilean literary scene in the late 1940s. By A. O. SCOTT
Review: New ‘Planet of the Apes’ Makes You Root Against Your Species With Andy Serkis reprising his role as Caesar, “War for the Planet of the Apes” is a humane western wrapped around a prison movie, as primates battle for primacy. By A. O. SCOTT
Review: ‘A Ghost Story’ Has a Sensitive Specter With Time on His Hands Casey Affleck and Rooney Mara play a young couple, one of whom is dead, in David Lowery’s haunting new film. By A. O. SCOTT
Review: ‘The House’ Is a Comedy Built on Despair Will Ferrell and Amy Poehler play a couple who embark on a nefarious scheme in which the odds are always in their favor. By A. O. SCOTT
Review: Falcons and Falconers in the Desert of Qatar The new documentary “The Challenge” observes the leisure pursuits of a group of rich young men. By A. O. SCOTT
Review: The Hard Road of Decency in ‘The Unknown Girl’ A young doctor struggles with her conscience in this latest film from the Dardenne brothers. By A. O. SCOTT
Review: ‘It’ Brings Back Stephen King’s Killer Clown This new, updated adaptation follows a bunch of kids on the trail of an evil force. By A. O. SCOTT
Review: A Civil War Erupts in ‘Bushwick’ Forget high rents and artisanal pizza. This dystopian glimpse of a Brooklyn neighborhood features an army of snipers and storm troopers. By A. O. SCOTT
Review: In ‘Crown Heights,’ Justice Delayed and Denied Based on a true story, Matt Ruskin’s film stars Lakeith Stanfield as a man who spent decades in prison for a crime he did not commit. By A. O. SCOTT
Review: ‘Patti Cake$,’ a Classic Striver’s Tale With a Hip-Hop Beat This showbiz tale finds new talent in Danielle Macdonald, its star, and Geremy Jasper, its writer and director. By A. O. SCOTT
Review: ‘Logan Lucky’: Steven Soderbergh and His Motley Band of Thieves This class-conscious caper, with Channing Tatum and Adam Driver as down-on-their-luck brothers, is ridiculously entertaining. By A. O. SCOTT
Review: ‘The Hitman’s Bodyguard,’ With Samuel L. Jackson Mr. Jackson is an ill-tempered contract killer. Ryan Reynolds is his uptight protector. You can figure out the rest. By A. O. SCOTT
Review: In ‘Nocturama,’ Bored, Beautiful Terrorists With a Taste for Luxury Brands Bertrand Bonello’s “Nocturama” chronicles a dramatic attack in Paris, with remarkably little resonance with current events. By A. O. SCOTT
Review: A ‘Good Time,’ if in Name Only Robert Pattinson plays a not-too-bright bank robber on the run in Josh and Benny Safdie’s latest film, “Good Time.” By A. O. SCOTT
Review: Woody Harrelson as a Wild and Crazy Dad in ‘The Glass Castle’ Adapted from Jeannette Walls’s best-selling memoir of her chaotic childhood, a movie decides to play it safe. By A. O. SCOTT
Review: In ‘Detroit,’ Black Lives Caught in a Prehistory of the Alt-Right Kathryn Bigelow’s new movie, set amid the Detroit riots of 1967, grapples with the legacy of American racism. By A. O. SCOTT
Review: In ‘Landline,’ the Family That Strays Together Jenny Slate, John Turturro and Edie Falco star in Gillian Robespierre’s new comedy, set in 1995. By A. O. SCOTT
Review: In ‘The Untamed,’ Close Encounters. No, Even Closer. A slimy, many-tentacled alien has sex with several unhappy residents of the Mexican city of Guanajuato in Amat Escalante’s movie. By A. O. SCOTT
Review: ‘Valerian’ Is a Rave in Space (but Not Much Fun) If you can summarize the plot of Luc Besson’s film adaptation of the graphic-novel science fiction series, you weren’t paying attention. By A. O. SCOTT
An Appraisal In George Romero’s Zombie Films, the Living Were a Horror Show, Too Our critics discuss the influence of the director’s body of work, including “Night of the Living Dead” and its depiction of white law enforcement. By A. O. SCOTT and JASON ZINOMAN
Review: ‘Endless Poetry,’ Alejandro Jodorowsky’s Surreal Self-Portrait An 88-year-old polymath’s nostalgic look back on the Chilean literary scene in the late 1940s. By A. O. SCOTT
Review: New ‘Planet of the Apes’ Makes You Root Against Your Species With Andy Serkis reprising his role as Caesar, “War for the Planet of the Apes” is a humane western wrapped around a prison movie, as primates battle for primacy. By A. O. SCOTT
Review: ‘A Ghost Story’ Has a Sensitive Specter With Time on His Hands Casey Affleck and Rooney Mara play a young couple, one of whom is dead, in David Lowery’s haunting new film. By A. O. SCOTT
Review: ‘The House’ Is a Comedy Built on Despair Will Ferrell and Amy Poehler play a couple who embark on a nefarious scheme in which the odds are always in their favor. By A. O. SCOTT
