Works for the Now, by Queer Artists of Color
Pride Month may have come to a close, but the wide-ranging pieces shown here have staying power.
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Pride Month may have come to a close, but the wide-ranging pieces shown here have staying power.
Moyra Davey’s work moves freely between photography, video and writing but is united in its unwavering attention to the objects and accidents of everyday life.
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Amy Sherald, Michael R. Jackson and others discuss the challenges and opportunities of cultivating black audiences and dismantling historically white institutions.
In the 1960s and ’70s, Brockman Gallery, Gallery 32 and JAM led the way in showing the work of artists now among the most influential of our time.
“You’ve got to fall on your face to sit at the table,” says the erstwhile R.E.M. frontman.
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Five housebound photographers used everyday items to create images that speak to both their inner lives and the world beyond their walls.
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Joel Meyerowitz, Renée Cox, Asako Narahashi and more share visual diaries of the present moment.
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A small and highly influential group has chosen to disappear from society in favor of letting their work speak for itself.
George Condo and Rashid Johnson talk about their new simultaneous digital shows, politics and how the role of artists has changed.
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The artist’s Minimalist abstractions helped change the direction of painting at the start of his career. Now at the end of it, the 83-year-old artist looks back to his beginnings.
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“Art doesn’t happen in a vacuum,” writes one of our advice columnists.
Haegue Yang seeks isolation and then mines the accompanying confusion to reflect on the nature of belonging.
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Katharina Fritsch shows familiar objects as they might appear in a dream, bringing the subliminal to light.
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Cinga Samson’s surreal canvases engage obliquely with his identity, but stand alone as testaments to his finely honed craft.
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The photographer Muyi Xiao began to work on her delicate series “Forget Me Not” with her mother, after the death of her grandmother.
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Adam Friedberg, a 25-year resident of the East Village, has pledged to photograph every one-level building, or “low rider,” remaining in his community.
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Paul Outerbridge, a friend of Man Ray’s and Duchamp’s, brought a witty eye and careful composition to early color photography.
The photographer Thomas Brown depicts sculptural still lifes of crumpled paper that resemble meteorites — and then asks viewers to “adopt” and name them.
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Burk Uzzle has photographed everything from Woodstock and Martin Luther King Jr.’s funeral to state fairs and motorcycle rallies.
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