THE WRITER'S SPOTLIGHT
The Online Creative Writing Program is nearing the end of its first decade, running more than fifteen courses each quarter, including our two-year Novel Writing Certificate Program. This space will aim the spotlight on the talented alumni and faculty of our courses, featuring news of recent successes, opportunities for networking and publishing, short personal essays and interviews relevant to all aspects of the writing life. If you have a piece of news or know of an opportunity you'd like to share with our community, please email: email@example.com.
This month The Writer’s Spotlight goes back in time and features two historical fiction writers. Find out more about the different genres they chose to pursue in their writing, and click on the links if you would like to read their published books.
The Silver Sweetheart, by Claire Byrnes, is set mostly in 1930s and 1990s Los Angeles. In 1933, Jane Hart was ushered into a life of fame and fortune by Hollywood film producer, Phil Loveridge, under the watchful eye of her calculating stage mother. Embroiled in a scandal, Jane disappeared from public life and transformed herself into a Southern housewife. As an elderly widow, Jane returned to Los Angeles content to take her secrets to the grave. This is until her granddaughter, Sarah, arrives on her doorstep with stars in her eyes and Jane must confront the past she has avoided for so long.
Claire completed Stanford's Creative Writing Certificate Program in late 2013. During the program, she worked on many different parts of her literary mystery novel, The Silver Sweetheart. She currently lives in Brisbane, Australia with her partner and their bruiser of a tabby cat.
Read The Silver Sweetheart on Amazon.
The Improbable Wonders of Moojie Littleman, by Robin Gregory, is set at the turn of the nineteenth century, and is the story of a disabled boy who loses two sets of parents and seeks to find a family of his own. After his adoptive mother dies in a freak accident, eight-year-old, disabled, bi-racial Moojie is sent by his disapproving father to live at St. Isidore's Fainting Goat Dairy, where he befriends a clan of outcasts from an alternate universe. Six years later, this forbidden friendship and subsequent events reveal a boy’s tale of loss and connection, first love, and self-discovery. Kirkus gave The Improbable Wonders of Moojie Littleman a starred review, featured it in the Best Indie Books of December, and put it in the running for the Best Indie Books of the Year this Spring. It won the 2015 Gelett Burgess Children’s Book Award, has been nominated a finalist in the UK’s international Wishing Shelf Book Award, and won “President’s Pick” in the Rave Reviews Book Club. Presently, the audio book is under production and will be released this Spring.
When asked to tell us about her writing experience, Robin had this to say:
“Reality is not always probable, or likely,” said Jorge Borges. This quote comes to mind because the hero’s experiences in my book can’t be explained away or interpreted by logic. Initially, the book was going to be a memoir, relating my life experiences of raising a boy with special needs to a trajectory of deepening spiritual practice. Four years into the story, I realized it wasn’t working. It felt too humanistic, too prosaic. Form and expectation were supplanting magic. I needed more freedom to play with time and space, the mind, and dreams—I needed poetry. Not being a poet, I looked to other literary forms for ways to deal with spirituality without getting religious. Magical realism allowed me to reverse the natural order of things, to encompass the ambiguities, absurdities, humor, and wit of a (fictional) disabled boy’s life, and to discover surprising yet inevitable conclusions.
Read Robin’s wonderful book on Amazon and on her website.
"Why I Need to Write This Novel" by Jane Gilmore
With an introduction by Malena Watrous, Online Writing Certificate Lead Instructor
Jane Gilmore is currently a student in Novel 1, the first of four sequential novel writing courses in the Online Writing Certificate Program. She started in the Fall with the introductory course "The Writer's Life," in which students brainstorm, plan, and workshop ideas for the novels they're planning to write. Over winter break, before Novel 1 started, Jane received some medical news that confirmed her desire to switch subjects for her novel, which is the subject of this essay. When I read this piece in our class discussion form, in response to our first week's prompt, "Why do you want to write this particular book?" I had no idea about her current situation. I found this essay remarkable in its honesty, clarity and beauty. Although this is an essay that she has graciously allowed us to share, Jane is at heart a fiction writer, using her imagination to develop characters in lives quite different from her own. She also has a rare gift for using her emotional insights and experiences to enrich her fiction and make it feel lifelike, inhabited by real people, specific and yet universal, as all great writing must be.
You can read Jane's essay "Why I Need to Write This Novel" here. (Note Adobe Reader is needed to view the pdf)