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1 - 10 of 65 results for: GERMAN

GERMAN 41N: Inventing Modern Theatre: Georg B├╝chner and Frank Wedekind (TAPS 41N)

The German writers Georg Büchner (1813-1837) and Frank Wedekind (1864-1918). Many of the most important theater and film directors of the last century, including Max Reinhardt, G. W. Pabst, Orson Welles, Robert Wilson, and Werner Herzog, have wrestled with their works, as have composers and writers from Alban Berg and Bertolt Brecht through Christa Wolf and Thalia Field. Rock artists as diverse as Tom Waits, Lou Reed, Duncan Sheik, and Metallica have recently rediscovered their urgency. Reading these works in translation and examining artistic creations they inspired. Classroom discussions and written responses; students also rehearse and present in-class performances of excerpts from the plays. The aim of these performances is not to produce polished stagings but to creatively engage with the texts and their interpretive traditions. No previous theatrical experience required.
Terms: not given this year | Units: 3 | UG Reqs: WAY-A-II, WAY-CE | Grading: Letter or Credit/No Credit

GERMAN 80N: Modern Conservatives

How do conservatives respond to the modern world? How do they find a balance between tradition and freedom, or between stability and change? This seminar will examine selections from some conservative and some classically liberal writers that address these questions. At the center of the course are thinkers who left Germany and Austria before the Second World War: Friedrich Hayek, Leo Strauss and Hannah Arendt. We will also look at earlier European writers, such Edmund Burke and Friedrich Nietzsche, as well as some recent American thinkers. Taught in English.
Terms: not given this year | Units: 3 | UG Reqs: GER:DB-Hum | Grading: Letter or Credit/No Credit

GERMAN 88: Germany in 5 Words

This course explores German history, culture and politics by tracing five (largely untranslatable) words and exploring the debates they have engendered in Germany over the past 200 years. This course is intended as preparation for students wishing to spend a quarter at the Bing Overseas Studies campus in Berlin, but is open to everyone. Taught in English.
Terms: Spr | Units: 3-5 | UG Reqs: WAY-A-II, WAY-ED | Grading: Letter or Credit/No Credit
Instructors: Daub, A. (PI)

GERMAN 88Q: Gateways to the World: Germany in 5 Words

This course explores German history, culture and politics by tracing five (largely untranslatable) words and exploring the debates they have engendered in Germany over the past 200 years. This course is intended as preparation for students wishing to spend a quarter at the Bing Overseas Studies campus in Berlin, but is open to everyone. Preference to Sophomores. Taught in English.
Terms: not given next year | Units: 3-5 | UG Reqs: WAY-A-II, WAY-ED | Grading: Letter (ABCD/NP)

GERMAN 104: Resistance Writings in Nazi Germany

This course focuses on documents generated by nonmilitary resistance groups during the period of National Socialism. Letters, essays, diaries, and statements on ethics from the Bonhoeffer and Scholl families form the core of the readings. The resistance novel, Every Man Dies Alone, is also included. Texts will be read as historical documents, reflections of German thought, statements of conscience, attempts to maintain normal relationships with others in the face of great risk, as poetic works, and as guides for the development of an ethical life. Taught in English.
Terms: not given this year | Units: 3 | UG Reqs: WAY-ER | Grading: Letter or Credit/No Credit

GERMAN 105: Going Medieval: Introduction to Freiburg, Germany, and its Surrounding Region (DLCL 105)

This course offers an introduction to materials that are pertinent to the BOSP summer seminar "Going Medieval" offered in summer 2015. It is a required course for participants of the seminar.
Terms: not given this year | Units: 1 | Grading: Satisfactory/No Credit
Instructors: Starkey, K. (PI)

GERMAN 113N: Theatre and Politics

The theatre is a public forum where politics is both represented and enacted. In this seminar we will examine four theatrical artists who have wrestled with urgent political questions of their time and ours: William Shakespeare, Georg Büchner, Bertolt Brecht, and Anna Deveare Smith. nnQuestions we will consider include: How does Shakespeare¿s Hamlet raise questions about a sovereign¿s right to rule? What might a play such as Büchner¿s Danton¿s Death¿set during the one of the bloodiest periods of the French Revolution¿suggest about the relationship between terrorism and reason? What does a musical such as Brecht¿s Threepenny Opera demonstrate about strategies of mass manipulation? And how could a performance piece such as Smith¿s Twilight: Los Angeles help us better understand the dynamics of police brutality and urban riot? nnIn this course, we will read seven plays, delve into their cultural contexts, and watch film and live versions of them, including field trips to at area theatres. We will also try our hand at staging some scenes in class, in order to get a better sense of the sorts of choices these plays require. Your assignments will include short papers and regular postings on an online discussion board. All readings and discussions will be in English, and no prior theatrical experience is necessary.
Terms: Spr | Units: 3 | Grading: Letter or Credit/No Credit

GERMAN 116: Writing About Germany: New Topics, New Genres

Writing about various topics in German Studies. Topics based on student interests: current politics, economics, European affairs, start-ups in Germany. Intensive focus on writing. Students may write on their experience at Stanford in Berlin or their internship. Fulfills the WIM requirement for German Studies majors.
Terms: Aut, Win, Spr | Units: 3-4 | Grading: Letter or Credit/No Credit
Instructors: Berman, R. (PI)

GERMAN 118N: From Mozart to Metal, Germany in 99 Songs

This course explores 200 years of German history and culture through popular songs -- the good, the bad and the very, very goofy. From songs composed by classical composers, via folksongs and operettas, all the way to punk, hip-hop, techno and heavy metal, this course explores the evolution of German popular culture and history. Prerequisite: 1 year of German
Terms: not given this year | Units: 3-5 | Grading: Letter (ABCD/NP)

GERMAN 120N: The Brothers Grimm and Their Fairy Tales

Historical, biographical, linguistic, and literary look at the Kinder- and Hausmarchen of Jacob and Wilhelm Grimm. Readings from the fairy tales, plus materials in other media such as film and the visual arts. Four short essays, one or two oral reports. Preference to Freshmen; class then opens to all. Fulfills WIM for German majors (must be taken for letter grade.) In German.
Terms: not given this year | Units: 4 | UG Reqs: WAY-A-II | Grading: Letter or Credit/No Credit
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