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ReMix: Stanford University Libraries Newsletter, August 16, 2012

Congratulations to the winners and runners-up of the 2012 PEN Literary Awards, who were announced this week. This year marks the 90th anniversary of the awards -- "the most comprehensive literary awards program in the country," according to the PEN America Center's blog.

From the PEN American Center's website:

PEN American Center is the U.S. branch of the world’s oldest international literary and human rights organization. International PEN was founded in 1921 in direct response to the ethnic and national divisions that contributed to the First World War. PEN American Center was founded in 1922 and is the largest of the 144 PEN centers in 101 countries that together compose International PEN.

Throughout its 90-year history, PEN American Center has remained a writer-centered organization in which members play a leading role. PEN presidents, such as Arthur Miller, Norman Mailer, Susan Sontag, and Salman Rushdie have, and continue to place themselves at the forefront of the struggle to oppose censorship and defend writers.

 

There have been two news stories in the last couple of days about exciting new acquisitions here in the Stanford University Libraries. Yesterday there was a piece in The Dish about a book that the Art & Architecture Library has purchased that features an original 1869 etching by Edouard Manet. And in today's Stanford Report there's a story about a collection of 800 maps showing California as an island that's coming to the Branner Earth Sciences Library and Map Collections and that will soon be available digitally.

The Bing Wing of Green Library

On Wednesday the population of the United States hit 314,159,265, or pi (3.14159265) times 100 million. The Census Bureau marked this milestone with a very charming press release.

You can use SearchWorks to find material from the Census Bureau here in Green Library.

Pontificale secundum ritum Sacrosancte Romane Ecclesie
Lugduni : Per probum virum Hector Penet., 1542

Pontificale secundum ritum Sacrosancte Romane Ecclesie : cum multis additionibus opportunis ex apostolica bibliotheca sumptis: et alias non impressis: quarum breuis index post epistola[m]. S. Domino Domino nostro pape dicata[m] statim sese offert. Aptissimis figuris gestus & motus personarum ex officiorum decoro exprimentibus excultum. Quottationibus etiam marginalibus auctoritatum sacre pagine in eo existentium: quo libro: quoto quoq[ue] capite habeantur signatum. Opus sane laudabile atq[ue] diuinum.

BX2030 .A2 1542  Locked Stacks: Ask at loan desk

Oxford Music Online defines a pontificale or pontifical as “A liturgical book of the Western Church containing rites proper to a bishop: the dedication of churches, the consecration of altars, the blessing of sacred vessels, conferral of clerical ordination, the blessing of abbots and abbesses, confirmation, the blessing of the holy oils. It often contains music for these rites.” The volume is printed in red and black throughout and contains woodcut illustrations and headings, and historiated and ornamental  initials.

 

Artemisia title page

Artemesia is the last of Cimarosa’s almost sixty operas, with libretto by Count Giovanni Battista Colloredo who wrote under the pen name of Cratisto Jamejo. Cimarosa completed only two of the acts; the third was completed by an unknown person. The opera premiered at La Fenice in Venice in January 1801, was performed in Florence in 1806, and was likely performed in England, Germany and Russia. Arias from the opera were published in the early nineteenth century and the overture in 1957. However the full opera has never been published. This two-volume manuscript copy was produced in Venice by the well known copying shop of Valentino Bertoja, who at one time was Haydn’s second cellist at Esterháza. It is inscribed to Alvise Mocenigo, a member of one of the most renowned patrician families of the Venetian Republic.

Acquired through the Lucie King Harris Books for Music Fund.

The Stanford University Libraries will host an exhibition marking the 40th anniversary of the founding of the Hand Bookbinders of California. The exhibition will open Thursday, July 19, 2012, in the Peterson Gallery and Munger Rotunda, Green Library, Stanford University, and continue through Wednesday, September 5.

Formed in March 1972, the Hand Bookbinders of California was from its inception devoted to promoting and supporting the craft of traditional Western hand bookbinding. The founding group included some of the Bay Area’s most influential collectors, among them Duncan Olmstead and Gale Herrick, and many binders and teachers of binding, such as Stella Patri and Leah Wollenberg. Membership is open to binders of all skill levels anywhere in the world as well as anyone interested in its mission. Members are encouraged to enter their work in the annual, non-juried exhibition.

In addition to contemporary members’ bindings, this year’s exhibition at Stanford includes fine design bindings selected from the Libraries’ Special Collections. Bindings by Paul Bonet and Pierre Lucien Martin represent the strong French influence on the work of Bay Area teachers of binding, many of whom studied in France. Also on display is work by some of the organization’s early members and teachers, including Belle McMurtry Young, Peter Fahey, Florence Walter, Betty Lou Chaika, Donald Glaister, Joanne Sonnichsen, Barbara Fallon Hiller, Anne Kahle, and Eleanore Ramsey.

Privately produced Leopold Auer recording, signed by the artist on June 7, 1920, from the Jascha Heifetz Collection.

The Archive of Recorded Sound has completed the processing of four significant collections under the sponsorship of the Council on Library and Information Resources (CLIR) with funding from the Andrew W. Mellon Foundation which are now ready for use by researchers, students, musicians, and the public.  The creators of all four collections have California connections, but their work and influence extended far beyond state borders to distant regions of the world.  The four collections that have been organized, arranged, and described in finding aids, which can be viewed on the Online Archive of California, are the Yehudi Menuhin, the Jascha Heifetz, the Lawrence Tibbett, and the Ambassador Auditorium Collections. The processing archivist for the project was Frank Ferko, with assistance from Anna Graves. 

Located in the City of Pasadena, the Ambassador Auditorium hosted many of the most highly regarded concert musicians and popular entertainers in the world.  From its opening night on April 7, 1974 to its closing in May, 1995, the Ambassador, often called "the Carnegie Hall of the West", presented a veritable who's who of luminaries in the world of music, dance, and popular entertainment. Among those who performed there were Artur Rubinstein, Leontyne Price, Victor Borge, Andres Segovia, Barbara Cook, the Juilliard String Quartet, the Los Angeles Chamber Orchestra, Yo-Yo Ma, Bob Hope, Marcel Marceau, Claire Bloom, Count Basie, Benny Goodman, Ravi Shankar, the Dance Theatre of Harlem, and many others. The Ambassador Auditorium Collection consists of thousands of documents related to the business, marketing, publicity and promotion operations of the hall as well as photographs (many of which are autographed), posters, concert programs, commissioned original artwork, and perhaps most important of all, hundreds of audio and video recordings of live performances.

Spanning 75 years, the career of Yehudi Menuhin included work as a virtuoso violinist as well as a highly respected conductor.  The Yehudi Menuhin Collection, assembled by his family, consists of fifty-four 78 rpm recordings from 1938 through 1950 of Menuhin performing violin works, often accompanied by his sister, Hephzibah.  

The Jascha Heifetz Collection, donated by the violinist's longtime friend and record producer at RCA Victor, Jack Pfeiffer, includes not only Heifetz's own performances but also his personal collection of recordings made by other artists.  The Heifetz Collection, consisting of over a thousand discs and reels produced from 1911-1972, includes the rare, privately made recording from 1920 of Heifetz's teacher, Leopold Auer, among other treasures. 

The Lawrence Tibbett Collection, consisting of 98 records documenting the middle years of the baritone's career, who sang for 27 seasons at the Metropolitan Opera (1923-1950). The collection contains an outstanding performance of a pre-premiere recording of Howard Hanson's Merry Mount, from January 1934 and also contains Tibbett's well known renditions of popular songs, such as Rodgers and Hammerstein's "Oh, what a beautiful mornin," and Harold Arlen's "Accentuate the positive", performed on live radio programs in the 1940s.

For more information and to use the collections, contact the Stanford University Archive of Recorded Sound.

Edgcumbe, Musical Reminiscences of an Old Amateur Chiefly Respecting the Italian Opera in England for Fifty Years, from 1773 to 1823 (London, 1824)

Richard Edgcumbe, 2nd earl of Mount Edgcumbe (1764-1839)
Musical reminiscences of an old amateur, chiefly respecting the Italian opera in England for fifty years, from 1773 to 1823. The second edition / continued to the present time.
London : W. Clarke, New Bond Street, 1827.
Acquired through the Lucie King Harris Book Fund for Music

Described as an English opera enthusiast and amateur composer, Mount Edgcumbe is said to have attended the King's Theatre, London, from the age of nine, and acquired sufficient musical skill to compose an opera, Zenobia. He recorded his experiences in Musical Reminiscences of an Old Amateur Chiefly Respecting the Italian Opera in England for Fifty Years, from 1773 to 1823 (London, 1824). Subsequent editions (1827, 1828, 1834/R) extended the period under discussion. The Reminiscences are a valuable complement to contemporary British writings such as those of Charles Burney and William Parke. Mount Edgcumbe's tastes were formed during the late 1770s and early 1780s and were reinforced during his European tour of 1783–5, when he visited Vienna and various Italian cities (he again travelled abroad in 1802). His vivid descriptions of the leading singers of the age, several of whom he knew personally, shed light on matters such as the allocation of roles. ~Grove Online

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