Golden Globes 2016: Film Surprises and Snubs
By CARA BUCKLEY
Lily Tomlin and ‘Spy’ make the cut; Johnny Depp and Steven Spielberg don’t.
“The Martian,” “Joy,” “Spotlight” and “The Big Short” also made good showings in the Hollywood Foreign Press nominations.
A few thoughts from the newly minted contenders.
Lily Tomlin and ‘Spy’ make the cut; Johnny Depp and Steven Spielberg don’t.
Our critics discuss their favorite films of the year.
Adam McKay’s adaptation of Michael Lewis’s account of fund managers who bet against the real estate bubble finds laughs within the crisis.
The film, based on Nathaniel Philbrick’s book and directed by Ron Howard, finds a group of men against one very angry whale and the ocean.
With “Suffragette,” the actress says she saw a chance to bring to light a forgotten chapter of history.
Jared and Jerusha Hess’s film stars Sam Rockwell as an archaeologist who finds himself in a quandary after a pastor asks him to track down Holy Land artifacts.
Marya Cohn’s first feature stars Emily VanCamp as a publishing employee promoting a book that resurrects her painful history with a predatory writer.
Alê Abreu’s film unleashes the exuberance of a child on the harsh realities of Brazil today, with dark wit and satire.
Eryk Rocha’s documentary turns churning legs and arms into a sensory experience that’s bigger on poetry than on clarity.
A holiday romp for three women goes wrong in this new film from Dan Berk and Robert Olsen.
Stephen Dorff stars as Melvin, an absentee dad who has the power to move objects with his mind, in this movie written and directed by Nick Love.
Hank Bedford’s atmospheric film, set in Mississippi, focuses on a man who is trying to make a fresh start but is nonetheless lured by the prospect of easy money.
This head covering worn by many Muslim women is discussed at length in this documentary.
Nathan Silver’s latest film unfolds in the early 1990s in suburban New Jersey, where a house has become a treatment center.
Movies like “The Danish Girl” are part of a wave of films giving transgender people more complex stories.
The film follows a woman as she samples the underside of Los Angeles in 1959 as a sort of therapeutic response to a divorce.
Ms. Ridley and Mr. Boyega, among the new heroes of “The Force Awakens,” discuss how they are preparing for worldwide visibility and making their marks in a multibillion-dollar franchise.
‘Straight Outta Compton’ and ‘The Big Short’ join ‘Beasts of No Nation,’ ‘Spotlight’ and ‘Trumbo’ in competition for guild’s top prize.
Of the 11 companies studied, Lionsgate came out on top with more women and minority men behind the camera.
The film isn’t showing until Dec. 17 and plenty of tickets are left, but to more than 100 people in Hollywood, the vigil is part of the experience.
The nonfiction Oscar contest is shaping up as a race between “Amy” and “The Look of Silence.”
New York, Boston and Los Angeles reviewers split between small movies like “Spotlight” and big hits like “Mad Max: Fury Road.”
A cinematic history of going airborne.
In the magazine’s new V.R. project, we send our readers up, up and away.
The Carpetbagger columnist Cara Buckley chats about the Oscars and how she covers them.
The director discusses a sequence from his comedy.
From Oscar hopefuls to blockbuster franchises, a look at select trailers from movies in theaters this season that may fit your holiday mood.
The director discuses a sequence featuring Michael B. Jordan and Sylvester Stallone.
For more than five decades, the actress has seduced men and women alike with her cool, distant beauty.
A guide to notable openings through the end of the year.
In this series, directors discuss ideas and techniques behind moments in their films.
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This guide includes links to the original reviews from the archives of The New York Times.