Big Break? Well, Eyes Will Be on Him
By PATRICK HEALY
A brief vacation for the actor Michael Urie is handing Clancy O’Connor the opportunity every understudy dreams of: proving himself to audiences and power brokers.
The young company Bedlam Theater is presenting two four-actor plays — Shaw’s “Saint Joan” and Shakespeare’s “Hamlet” — in repertory at the Lynn Redgrave Theater.
A brief vacation for the actor Michael Urie is handing Clancy O’Connor the opportunity every understudy dreams of: proving himself to audiences and power brokers.
Part of the Under the Radar Festival, “The Record,” a dance-theater piece at the Public Theater, calls reverent attention to the shared experience of the stage.
The Coil theater festival show “An Evening With William Shatner Asterisk,” at the New Ohio Theater, makes an evening of clips of Mr. Shatner in his “Star Trek” role.
The Actors’ Equity union will hold a town hall meeting to discuss salaries and pay contracts for touring musicals.
The Broadway double-bill of Shakespeare’s “Twelfth Night” and “Richard III” will be treated as two separate shows for the purposes of the Tony Awards.
Mr. Baraka’s work was widely anthologized, and he was also long famous as a political firebrand, with critical opinion divided in every arena.
John Patrick Shanley drew on his Irish roots — a rare strategy for him — in writing “Outside Mullingar,” opening on Broadway this month.
Actors playing Christopher Durang’s Spike list the rigors.
A guide to theater productions in New York, with a special note of shows in previews or about to open.
The Red Bull Theater, which has demonstrated a stylish affinity for Grand Guignol, seems the proper troupe to exhume Joe Orton’s “Loot.”
Top-grossing Broadway shows for the week ending Jan. 5.
Recommended shows from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
Recent show reviews from Ben Brantley, Charles Isherwood and other theater critics for The New York Times.
The experimental designer and director Jay Scheib is offering audiences two ways to view his raucous contemporary rewrite of an unfinished early Chekhov play.
Bruce Ramsay’s “Hamlet” is set in an upper-class, buttoned-down home in postwar London.
Reid Farrington splices together video footage and live performance to produce a theoretical matchup of Mike Tyson and Muhammad Ali in “Tyson vs. Ali.”
The Menier Chocolate Factory’s scaled-down production of “Candide,” the 1956 Broadway musical, offers a fresh perspective; while stars take on two Shakespeare roles.
Two solo shows, “Hip” and “Darkling,” have their author-stars embodying many characters at the IRT Theater in the West Village.
Sheldon Best, the star of Atlantic Theater’s “The Loneliness of the Long Distance Runner,” speaks about his niche as an athletic actor.
A small Brooklyn company is producing Edward Albee’s play “The Death of Bessie Smith,” set in a whites-only hospital, at the Interfaith Medical Center, which serves patients from Bedford-Stuyvesant.
A double bill of “Twelfth Night” and “Richard III,” starring Mark Rylance, has recouped its $3.1 million capitalization, the producers said.
Several current productions, from Tennessee Williams’s “The Glass Menagerie” to Harold Pinter’s “No Man’s Land,” navigate the malleable landscape of recollection.
The writer Toni Bentley and the actress Laura Campbell discuss preparations for a solo show based on “The Surrender,” Ms. Bentley’s erotic memoir.
The actor performs a scene from Eric Dufault’s cockfighting comedy at the Ensemble Studio Theater.
Many of these shows are currently in previews.
WordPlay Shakespeare and other programs allow readers to watch or listen to sections of his works as they view the text.
Approximately 500 high school and college students recorded themselves delivering lines from Shakespeare’s “Hamlet” in 15 seconds or less using Instagram.