Ten years later: The enduring vice of The Weeknd’s debut mixtape ‘House of Balloons’

Nadia Jo '23 is the Desk Editor of Music for Vol. 259 (and previously Vol. 258) and occasionally writes for Screen and Opinions. She is particularly interested in hip-hop, R&B, and classical music. Contact her at njo ‘at’ stanforddaily.com.

How the theatrical production plans to move forward virtually while still incorporating community building, inclusiveness and the essence of a traditional Gaieties

‘Zoom Gaieties’: An opportunity for creative and institutional change

Vivian Jiang is a high school student writing as part of The Stanford Daily's Summer Journalism Workshop.

Top 100 hip-hop/rap albums of the 2010s: #20-11

Nick Sligh is a Junior from Athens, Georgia, studying Economics and International Relations. Nick is always open to discuss anything relating to music, NBA basketball, and movies/TV. As somebody with a deep interest in hip-hop/rap and r&b music, Nick covers these genres through his articles. Feel free to contact him at nsligh 'at' stanforddaily.com

Top 100 hip-hop/rap albums of the 2010s: #30-21

Top 100 hip-hop/rap albums of the 2010s: #40-31

Top 100 hip-hop/rap albums of the 2010s: #50-41

Top 100 hip-hop/rap albums of the 2010s: #60-51

Top 100 hip-hop/rap albums of the 2010s: #70-61

Top 100 hip-hop/rap albums of the 2010s: #80-71

Top 100 hip-hop/rap albums of the 2010s: #90-81

Top 100 hip-hop/rap albums of the 2010s: #100-91

‘The Women’ is about far more than femininity

In ‘Shame,’ Ingmar Bergman examines evil in ordinary people

American culture is under fire in ‘The Big Heat’

‘Detour’ provides a dark commentary on dreams and destiny

‘Death in Venice’ documents the decline of the bourgeoisie

Scorsese uses allusion to conjure up ‘The Age of Innocence’

Ford and Fonda examine the legend of ‘Young Mr. Lincoln’

‘Midnight Cowboy’ critiques American mythology

‘My Man Godfrey’ supplies sidesplitting comedy and social commentary

In ‘Some Like It Hot,’ Billy Wilder explores the attributes of artifice

Orson Welles documents a family’s dizzying decline in ‘The Magnificent Ambersons’

Sex, society and ‘Shampoo’

De Palma steals from the masters in ‘Sisters’

Throwback Thursday