Not only are smart, complex series like Homeland, Louie, Breaking Bad and Downton Abbey getting on TV, they're finding sizable audiences. Why, then, does the industry feel compelled to play it safe -- dusting off old titles and recycling old ideas?
Ward's not only been racking up awards for his film Son of the Sunshine. Let's hope Ryan can make it through this interview without me blatantly hitting on him. (Spoiler alert: He can't.)
Perhaps the reason that Denzel Washington has maintained his star power for 20 years is that he still goes out of his way to make 'the kind of movies they just don't make anymore'.
The balmy days of February have triggered an uncommon sense of renewal, nowhere more so than in the cinema, where, after a customarily dismal January, there now come glimmers of hope in the entertaining and atmospheric The Woman in Black.
Big Miracle is based on an actual events which occurred in Barrow, Alaska in 1988. It was discovered by a local television reporter that three whales were trapped under the ice in the Arctic Circle.
Rampart takes viewers on a guttural trip through the streets of Los Angeles during a particularly turbulent period of social upheaval, ferried by one of the most corrupt cinematic cops (Woody Harrelson) in recent years.
As the Egyptian military government prepares to put 19 American employees of pro-democracy NGOs on trial, and thousands of Egyptians continue to demonstrate, 1/2 Revolution offers a striking look back at the Egyptian revolution of one year ago.
At the Sundance Film Festival this month, the most anticipated documentary was Ethel, about the matriarch of the Robert Kennedy clan, directed by her daughter Rory. It joins a growing list of personal passion projects made by filmmakers.
This afternoon, Sony previewed new footage from the you're-anticipating-it-more-than-you-think-you-are reboot of the Spider-Man franchise, "The Amazing Spider-Man." The event was simulcast in four cities -- New York, Los Angeles, London and Rio de Janiero -- but only the post-Super Bowl crowd in the Big Apple was treated to an in-person visit by star Andrew Garfield.
The problem I'm concerned about is that so many films coming out of America seem to have virtually no ideas at all. It's not just the plots, it's the fact that the plots are recycled with such a paucity of visual and verbal invention.
In current times of civil unrest, economic injury, and political failure, we depend on love -- in all its complexity and even through untenable circumstances -- to keep ourselves human. Here are the top 10 films that cannot be missed in the coming year:
Polish-born director Agnieszka Holland's movies and television shows have often changed the way we look at familiar events.
"Fame" used to be fused with "respect" in some ways. That's what distinguished it from infamy. But not anymore.
By the time one gets around to the start of the movie, a half hour or more beyond the published feature time, you are exhausted by the assault and your potential film enjoyment meter has been compromised.
Because I am a Christian, in order to support same-sex marriage I have had to make peace with the fact that the Bible condemns same-sex intimacy on the few times it addresses the issue.
Billed as "Cloverfield meets X-Men," does Chronicle deliver the best of both worlds (a la Hannah Montana) or end up as less than the sum of its parts (like Cowboys & Aliens)? We do the math.
Jackie K. Cooper, 2012. 7.02