I went up to Winnipeg a few weeks ago to give a talk about iPhone game design and marketing. It ended up being a 6 hour long affair where I covered pretty much everything I know about anything. These are my notes from that talk.
Posted by Adam Saltsman on Tue, 19 Jan 2010 10:57:00 EST in
I've been trying to avoid kneejerk negative reactions to things, instead trying to funnel these responses into something positive. This, I hope, is something positive!
Hey Shay, those are totally valid points I think. Braid's difficult puzzles definitely require some kind of skip this one type of functionality, which hub worlds totally provide. The thing that surprised me is that it doesn't appear to take advantage of all those other wonderful things that a hub ...
hey Glenn, for the reviews thing, I think it varies some but that it is easier to get serious customers if your app is more than a dollar, rather than people who picked it up because its the same cost as a candy bar, and are just as happy to ...
The article forgot to mention the dudes responsible for the game's audio The music was written by Danny Baranowksy http://www.dbsoundworks.com/ , who wrote music for double-IGF-award-winner Cortex Command. Super Meat Boy's sound effects were created by Jordan Fehr, whose website I don't have on hand.
Yea I would actually LOVE to see a best polish category...in a lot of ways I think that's what GotY actually is, and it's something that DOES matter and should be praised. I would love to see it praised more specifically My understanding is that a lot of hardcore SFIII3S ...
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