Critic’s Notebook
What Shouldn’t Change About Classical Music
Our chief classical music critic bids farewell with some thoughts about what should be preserved in the field he’s covered for decades.
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Our chief classical music critic bids farewell with some thoughts about what should be preserved in the field he’s covered for decades.
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“Saturday Night Live” sought to persevere with an episode featuring special guests, but no musical performer and only two regular cast members.
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The rapper, whose real name was Darrell Caldwell, was to perform at a festival on Saturday night when he was fatally stabbed during an altercation, officials said.
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The return of indoor shows brought comedy closer to normal, and there were plenty of specials from Bo Burnham, Tig Notaro, Roy Wood Jr. and others.
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A Pritzker Prize winner, he altered the skylines of Paris and London with colorful and striking designs that turned architecture not just inside out but also on its head.
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The Wadsworth Atheneum spotlights female artists from Italy in the 16th through 18th centuries, and asks: Who got left out of the canon?
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Some experts hope the reopening of the museum in Kabul is a sign the Islamic regime will show greater tolerance toward art. Others worry it is all optics.
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As a member of the group UTFO, he was heard on one of the most influential and widely imitated songs of commercial hip-hop’s early years.
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Sheridan’s “Yellowstone” is an enormous hit, and its success has positioned him to become one of TV’s most prolific creators. Next up is a prequel series premiering Sunday.
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In a year that offered glimmers of hope across the world of arts, these performers and creators rose to the occasion.
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Even when a film wasn’t great, filmgoing was. But there were some truly wonderful releases, ranging from music docs and musicals to westerns and the just plain weird.
By A.O. Scott and
From Bo Burnham to “We Are Lady Parts,” the best in television this year offered ingenuity, humor, defiance and hope.
By James Poniewozik, Mike Hale and
Sixty-six tracks that tell the story of the year: a posthumous political statement, a hyperpop star finding his footing, an emerging force’s debut smash and a superstar’s 10-minute redo.
By Jon Pareles, Jon Caramanica and
Classics by Bach, Mozart and Brahms and new works by Andy Akiho, Angélica Negrón and Tyshawn Sorey were among our favorite recordings this year.
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