Producer Jeff Sommerville, director Alfonso Gomez-Rejon, and the cast of Me and Earl and the Dying Girl discuss their movie that went to Sundance and beyond.
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Visual artist and writer Peter Witte is unsure whether the killing of a sentient being is problematic, but he wishes that bacon, one of his favorite foods, could exist without all the suffering. ...more
In episode 32 of The Rumpus’s Make/Work podcast, host Scott Pinkmountain speaks with poet and composer Nathan Langston about the origin and development of his most recent project, and the effect it’s had on his creative and personal life. ...more
We could hear the muffled roar of the show booming through the walls of the historic building. We were drunk, pretending to be music writers. We were giddy with our trespass....more
Author Maya Lang discusses her Joyce-inspired novel The Sixteenth of June, the "illiterate, underbred" epic Ulysses, and the insufficiency of "yes" in an interactive interview with Allison Adair. ...more
The Rumpus Poetry Book Club chats with Sandra Beasley about her new book Count the Waves, sestinas, and how actions can serve as signposts in the time stream. ...more
In the woods, at first we feel like babies carried on our mothers’ backs. We run at the end of the pack with our heads shaved bald as a symbol of our newness....more
Sean Wilsey discusses his latest book of essays, More Curious, being David Foster Wallace’s neighbor, the healing power of the American road trip, and the difference between writing fiction and memoir. ...more
Kill Bill is revolutionary because it disrupts both content and genre, beautifully showcasing what these superhero-action stories so consistently overlook, while embodying the success of what the genre could achieve....more
Author Jeremy Hawkins discusses his debut novel, The Last Days of Video, the resurgence of the independent bookstore industry, and allowing nostalgia to have presence but not precedence in one’s life. ...more
I was excited to see the New York Times’s announcement that a regular column by the writer Geoff Dyer called “Reading Life” would be appearing in their weekend Book Review. I was even more intrigued and, somehow, encouraged, when eventually it appeared only three times....more
Author Kara Richardson Whitely discusses her new memoir, Gorge: My Journey Up Kilimanjaro at 300 Pounds, surviving food addiction and the trauma of being molested, and what comes next. ...more
As a culture, we tend to place more significance on the mystique of death than the actual event. We avoid considering the details: the transportation of the body down to the morgue, the excising of the organs, the decay of the skin within the tomb....more
Standing at the pool’s edge, he planted his eyes on the V-shape of my body where my legs met at my hips, where I felt the water drip. I saw his brown irises turn hard and hungry....more
"Master fictioneer" Matthew Baker talks about his new middle grade novel, If You Find This, artists as tricksters, his favorite comic strips, and why children are still capable of believing in impossible things. ...more
After being assaulted, Jessie Rothwell starts taking self-defense classes and enters a new relationship, gaining both physical and sexual power. ...more
I refuse to be resolvable. I wait. I wait for confusion to become a resting place for resolution to become a moving organism, an evolution foretold by my body....more
Author Viet Thanh Nguyen discusses his debut novel, The Sympathizer, new ways of looking at the Vietnam War, and how to blend important ideas with entertainment. ...more
The Old Man’s Illustrated Library appropriates elements from Classics Illustrated in a series of vignettes depicting elderly male authors alone in their apartments. ...more
Matt Jones writes haunting songs. February songs. Songs that get under my skin and seep into my short stories. Songs that remind me of the rust belt and the south... ...more
On Tuesday, Knopf released In the Country, the much-anticipated first book by Mia Alvar. The story collection follows characters uprooted by the Filipino diaspora trying to find homes elsewhere or trying to come home again. Born in the Philippines and raised in New York City and Bahrain, Alvar is familiar with that search. As Alvar told One Story in an April interview, “It almost feels easier to define what home isn’t. At least in my experience, it’s hardly ever the place we’re physically and geographically born into.”
Alvar’s stories aren’t only about geographical exile. They’re about cultural exile, familial exile, social exile, and so much more. The two main characters in “The Virgin of Monte Ramon,” originally published in Euphony in 2008, are ostracized in their communities for their physical disabilities. (more…)
Often mentioned in the same breath as works of James Joyce and Samuel Beckett, Ó Cadhain’s novel is, in some ways, even more radically experimental. For starters, all the characters are dead and speaking from inside their coffins…
The Millions reviews Máirtín Ó Cadhain’s modernist classic ‘Cré na Cille’ (The Dirty Dust), now available in English for the first time.
High school reading lists are notoriously white and male, exposing students to only a narrow perspective on the world and making it hard for kids to relate to what they read. Many schools are taking the initiative to add more works by women and people of color to the curriculum. The Sun Sentinel quotes English teachers tackling the issue and provides a list of great works by diverse authors.
Local writer Ben Tanzer reads from TheNew York Stories: Three Volumes in One Collection. Rachel Slotnick, Matt Rowan, Joseph G. Peterson, and Cyn Vargas join him at City Lit Books, 6:30 p.m.
“The challenge of memorializing doesn’t favor professionals,” writes Sean Minogue over at Full Stop. So, how are autobiographical narratives of loss by Karl Ove Knausgaard, Joan Didion, or Paul Auster different from therapeutic journaling? Minogue takes a look at how these authors express the everyday details of living after a loss, and how new forms of written self-expression, like Twitter, shifts the line between personal and public grieving.
Do you need to be right with yourself in order to write best? Is it a matter of ego or an issue of the industry? Two views on the relevance of self-loathing to writing creatively in the New York Times.
How does a writer come to the conclusion that the a novel-in-progress needs to be ditched? Over at Lit Hub, Laura Dave reflects on the cathartic despair and relief of making the big decision:
It’s hard to pinpoint the exact moment I realized the novel was spinning away from me. After all, us writers are masters of convincing ourselves that we are getting a lot done.
In an effort to curb piracy, record companies around the world represented by the International Federation of the Phonographic Industry (IFPI), will be dropping their old release date model of many release dates for different regions, and adopting one worldwide release date. New Music Fridays will launch officially on July 10th, affecting 1300 record companies in forty-five countries. (more…)
Duality is deeply embedded in the elemental technology that separates our feet from the ground on which we tread. As a container for spiritual meaning, footwear is laden with wishes, both benevolent and malign. Shoes can redeem, or they can punish. They can whisk their wearer seven leagues in a single step, transform a drudge into a princess, summon magical aid, or force her to dance until she begs for her feet to be cut off.
“Bacon, Egg, & Oats” explores how eating bacon involves the killing of a sentient being. Peter Witte is unsure whether the killing of a sentient being is problematic, but he wishes that bacon, one of his favorite foods, could exist without all the suffering.
When listening to Tom Waits’s stately ballad, “Coney Island Baby,” one pictures an ancient Italian grandfather, standing on a windswept boardwalk, boasting about his granddaughter to anyone who will listen. “When I am with her,” he rattles, “I’m the richest man in the town.” A mournful violin and trumpet provide a lonely reply, a modest counterpoint to this beautiful June day.
Thursday 6/18: Sue Schaefer reads from her debut novel, Now I Am Here Doing This. Broadway Books, 7 p.m., free.
Releasing the new season of his long-running, fairly epic, and certainly ambitious series of zines, Kip Manley will read from the new installation of City of Roses. The Spritely Bean, 7 p.m., free.
Pulitzer Prize finalist and investigative reporter Bryan Denson reads from his latest book, The Spy’s Son. Powell’s City of Books, 7:30 p.m., free.
Colin Winnette reads from his new book, Haints Stay. Powell’s on Hawthorne, 7:30 p.m., free.
A new, work-in-progress database of contemporary writers of color created by Durga Chew-Bose, Jazmine Hughes, Vijith Assar, and Buster Bylander aims “to create more visibility for writers of color, ease their access to publications, and build a platform that is both easy for editors to use and accurately represents the writers.”
Recently, Tara Shultz, a college student at Crafton Hills College, expressed her shock and disgust at the “pornographic and violent” content in the selection of graphic novels (Sandman by Neil Gaiman, Persepolis by Marjane Satrapi) used in her English class and called upon the university to excise the texts from the curriculum. Thankfully, it seems like the cooler heads prevailed, as the president of Crafton Hills released a statement voicing support for inclusionary course syllabi.