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The death of a troubled teen throws a suburban neighborhood into chaos in this darkly satirical comedy. Dean (Jamie Bell) is a disaffected teenager living in a California suburb that's beautiful on the surface but populated by families who live emotionally vacant lives, with the parents often too wrapped up in their own problems to pay attention to their children. One day, Dean discovers his best (and only) friend, Troy (Josh Janowicz), has killed himself. While Troy's mother (Glenn Close) hasn't figured out her son is dead just yet, Dean opts not to tell her, and besides, his own parents (William Fichtner and Allison Janney) don't appear very concerned. Dean, however, does have reason to worry -- Billy (Justin Chatwin), Lee (Lou Taylor Pucci), and Crystal (Camilla Belle) are three bullies who used to buy drugs from Troy, and they want Dean find Troy's remaining stash and give it to them. When Dean refuses to cooperate, the bullies decide to get tough and kidnap Dean's little brother; however, they end up taking the wrong child and Dean grudging finds himself trying to rescue a child he doesn't know. Meanwhile, as the adults in the neighborhood begin to emotionally implode, "the Chumscrubber" becomes a common presence in town -- a comic book and video game character represented by a decapitated post-apocalyptic teenager who has become an unavoidable pop-culture icon. The Chumscrubber also features Ralph Fiennes, Carrie-Anne Moss, John Heard, and Rita Wilson.

"You may think you know what you're dealing with, but believe me, you don't," warns water baron Noah Cross (John Huston), when smooth cop-turned-private eye J.J. "Jake" Gittes (Jack Nicholson) starts nosing around Cross's water diversion scheme. That proves to be the ominous lesson of Chinatown, Roman Polanski's critically lauded 1974 revision of 1940s film noir detective movies. In 1930s Los Angeles, "matrimonial work" specialist Gittes is hired by Evelyn Mulwray (Faye Dunaway) to tail her husband, Water Department engineer Hollis Mulwray (Darrell Zwerling). Gittes photographs him in the company of a young blonde and figures the case is closed, only to discover that the real Mrs. Mulwray had nothing to do with hiring Gittes in the first place. When Hollis turns up dead, Gittes decides to investigate further, encountering a shady old-age home, corrupt bureaucrats, angry orange farmers, and a nostril-slicing thug (Polanski) along the way. By the time he confronts Cross, Evelyn's father and Mulwray's former business partner, Jake thinks he knows everything, but an even more sordid truth awaits him. When circumstances force Jake to return to his old beat in Chinatown, he realizes just how impotent he is against the wealthy, depraved Cross. "Forget it, Jake," his old partner tells him. "It's Chinatown." Reworking the somber underpinnings of detective noir along more pessimistic lines, Polanski and screenwriter Robert Towne convey a '70s-inflected critique of capitalist and bureaucratic malevolence in a carefully detailed period piece harkening back to the genre's roots in the 1930s and '40s. Gittes always has a smart comeback like Humphrey Bogart's Sam Spade and Philip Marlowe, but the corruption Gittes finds is too deep for one man to stop. Other noir revisions, such as Robert Altman's The Long Goodbye (1973) and Arthur Penn's Night Moves (1975), also centered on the detective's inefficacy in an uncertain '70s world, but Chinatown's period sheen renders this dilemma at once contemporary and timeless, pointing to larger implications about the effects of corporate rapaciousness on individuals. Polanski and Towne clashed over Chinatown's ending; Polanski won the fight, but Towne won the Oscar for Best Screenplay. Chinatown was nominated for ten other Oscars, including Picture, Director, Actor, Actress, Cinematography, Art Direction, Costumes, and Score.

In this science fiction thriller, child psychiatrist Catherine Deane (Jennifer Lopez) has developed a technique that allows her to travel through the minds of her patients. When Stargher (Vincent D'Onofrio), a multiple murderer who methodically drowns his victims and performs bizarre rituals with their bodies, falls into a coma, FBI agent Peter Novak (Vince Vaughn) asks Deane to enter the killer's psyche, in the hope of finding a missing girl whom Stargher has kidnapped; if she's not soon found, in all likelihood she'll die in his torture cell. However, once Deane enters the bizarre world of Stargher's mind, she finds getting out to be a very difficult matter. The Cell was the first feature from director Tarsem, who previously made award-winning commercials and music videos, including the video for R.E.M.'s "Losing My Religion." The supporting cast includes Catherine Sutherland, Marianne Jean-Baptiste, Dylan Baker, and Pruitt Taylor Vince.