MUS423 Research Seminars
The CCRMA Music 423 Research Seminar brings graduate students and supervising faculty together for planning and discussion of original research. Students and faculty meet either in small groups or individually, as appropriate for the research topics and interests of the participants. Research carried out is typically presented at the weekly CCRMA Colloquium (if it is of general interest to the CCRMA community) or at a Special DSP Seminar scheduled for that purpose. In either case, announcements appear on the CCRMA Home Page as Upcoming Events.
Recent DSP Seminars
Two Approaches to Virtual Analog Modeling
Date:Thu, 04/20/2017 - 5:30pm - 7:30pmLocation:CCRMA ClassroomEvent Type:DSP Seminar
FREEOpen to the PublicJoseph Tilbian: "Stride: A Domain-Specific Language for Sound Synthesis, Processing, and Interaction Design"
Date:Thu, 04/06/2017 - 5:15pm - 6:15pmLocation:CCRMA ClassroomEvent Type:DSP SeminarFREEOpen to the PublicAdaptive mixing of noisy and robust beamformers for enhancement, visualization and reproduction of sound fields
Date:Thu, 03/02/2017 - 5:30pm - 7:00pmLocation:CCRMA Classroom [Knoll 217]Event Type:DSP SeminarFREEOpen to the PublicNext Generation Sound Synthesis at the Edinburgh Parallel Computing Centre
Date:Tue, 02/28/2017 - 5:30pm - 7:00pmLocation:CCRMA Classroom [Knoll 217]Event Type:DSP SeminarAbstract: The NESS project (standing for Next Generation Sound Synthesis), funded through a Starting Grant from the European Research Council for five years beginning on January 1, 2012 is an exploratory project, concerned entirely with synthetic sound—and in particular, numerical simulation techniques for physical modelling sound synthesis in parallel hardware. It is a joint project between the Acoustics and Audio Group and the Edinburgh Parallel Computing Centre, both at the University of Edinburgh. The models developed in the course of the project span a large set of systems, including brass, cymbals and gongs, percussions, guitar/fretboard interaction, bowed strings and large 3D room acoustics simulations.
FREEOpen to the PublicAugmented Reality Headphone Reverberation
Date:Tue, 02/21/2017 - 5:30pm - 7:00pmEvent Type:DSP SeminarFREEOpen to the PublicDigital Modeling of Expressive Acoustic Instruments
Date:Thu, 01/26/2017 - 5:30pm - 7:00pmLocation:CCRMA Class Room [Knoll 217]Event Type:DSP SeminarFREEOpen to the PublicDeep Learning for Audio Applications using TensorFlow
Date:Thu, 10/27/2016 - 5:30pm - 7:00pmLocation:CCRMA Class Room [Knoll 217[Event Type:DSP SeminarFREEOpen to the PublicTuneSplit Semantic Equalization and Remixing
Date:Thu, 04/28/2016 - 6:00pm - 7:00pmLocation:CCRMA Class Room [Knoll 217]Event Type:DSP Seminar
by Alejandro Koretzky, CEO & Founder at tuneSplitFREEOpen to the PublicReal Time Audio Signal Processing with MATLAB
Date:Thu, 03/31/2016 - 6:00pm - 7:30pmLocation:CCRMA Class Room [Knoll 217]Event Type:DSP SeminarThis talk will present the new MATLAB Audio System Toolbox for streaming live audio in and out of MATLAB/Simulink, along with algorithms and tools for processing, tuning, and analyzing such live audio signals. Low-latency processing is possible via ASIO support under Windows or Core Audio support on a Mac.
FREEOpen to the PublicWave Digital Filter Tutorial—Part II
Date:Mon, 01/25/2016 - 6:30pm - 8:00pmLocation:CCRMA ClassroomEvent Type:DSP SeminarCome one, come all, to the 2nd of a 3-part tutorial series on everyone's favorite lumped system discretization formalism: Wave Digital Filters (WDFs). WDFs can be used to simulate acoustic systems (e.g., piano hammer, clarinet reed) and classic audio circuitry (e.g., effects pedals, guitar amps). Though powerful, WDFs can be confusing. In Part I of this tutorial, Ph.D. candidate Kurt James Werner explained the basics of WDFs. In Part II, we'll discuss how to handle nonlinearities in WDFs (e.g. the Tube Screamer distortion pedal [3]).Wave Digital Filters are an active research area at CCRMA.Open to the Public
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