Our courses offer a comprehensive approach to speech communication that includes training in the fundamental principles of public speaking and the effective delivery of oral presentations. With the goal of enhancing students' general facility and confidence in oral expression, the program provides innovative, discipline-based instruction to help students refine their personal speaking styles in small groups and classroom settings.
| Title | Requirements | ||
|---|---|---|---|
| Winter |
ORALCOMM 105 Voice and Articulation Intensive for Non-Native English Speakers |
Workshop focusing on exercises designed to help foreign students improve their articulation and delivery in English. Work includes breath, sound, enunciation, melody, and colloquialism. Course was previously offered as CTL 105. |
|
| Autumn |
ORALCOMM 10C Debate Club |
Enrollment in this course is limited to students selected as members of Stanford Debate Club. All enrollees must complete at least 30 hours of participation evidenced by traveling to at least one competition during the quarter and attending regular practices. Participation must be verified by the Debate Club leadership in order to receive credit. |
|
| Spring |
ORALCOMM 10C Debate Club |
Enrollment in this course is limited to students selected as members of Stanford Debate Club. All enrollees must complete at least 30 hours of participation evidenced by traveling to at least one competition during the quarter and attending regular practices. Participation must be verified by the Debate Club leadership in order to receive credit. |
|
| Winter |
ORALCOMM 10C Debate Club |
Enrollment in this course is limited to students selected as members of Stanford Debate Club. All enrollees must complete at least 30 hours of participation evidenced by traveling to at least one competition during the quarter and attending regular practices. Participation must be verified by the Debate Club leadership in order to receive credit. |
|
| Autumn |
ORALCOMM 115 Voice Workshop (ORALCOMM 215) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Spring |
ORALCOMM 115 Voice Workshop (ORALCOMM 215) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Spring |
ORALCOMM 115 Voice Workshop (ORALCOMM 215) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Autumn |
ORALCOMM 115 Voice Workshop (ORALCOMM 215) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Autumn |
ORALCOMM 115 Voice Workshop (ORALCOMM 215) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Autumn |
ORALCOMM 117 The Art of Effective Speaking (ORALCOMM 217) |
The principles and practice of effective oral communication. Through formal and informal speaking activities, students develop skills framing and articulating ideas through speech. Strategies for speaking extemporaneously, preparing and delivering multimedia presentations, formulating persuasive arguments, refining critical clarity of thought, and enhancing general facility and confidence in oral self-expression. ORALCOMM 117/217 was previously listed as CTL 117/217. |
|
| Winter |
ORALCOMM 117 The Art of Effective Speaking (ORALCOMM 217) |
The principles and practice of effective oral communication. Through formal and informal speaking activities, students develop skills framing and articulating ideas through speech. Strategies for speaking extemporaneously, preparing and delivering multimedia presentations, formulating persuasive arguments, refining critical clarity of thought, and enhancing general facility and confidence in oral self-expression. ORALCOMM 117/217 was previously listed as CTL 117/217. |
|
| Summer |
ORALCOMM 118 Public Speaking: Romancing the Room |
A practical approach to the art of public speaking. Emphasis is on developing skills in speech types including impromptu, personal experience, interviewing, demonstration, persuasive, and special occasion. Materials include videotape, texts of famous speeches, and a final dinner program of speeches. Students evaluate presentations by others. $55 materials fee. Course was previously offered as CTL 118. |
|
| Spring |
ORALCOMM 119 Oral Communication Tutor Teaching Practicum |
Seminar. For students with a strong background in public speaking who wish to train as public speaking tutors for the Oral Communication Program. Readings, exercises, and supervised teaching refine speaking skills. Preparation to serve as a peer tutor in a variety of academic disciplines. Prerequisite: application and consent of instructor. Course was previously offered as CTL 119. |
|
| Spring |
ORALCOMM 120 Speaking Effectively in Digital Settings (ORALCOMM 220) |
In this hands-on, learn-by-doing class, you will practice giving presentations via digital platforms to gain familiarity with best practices and techniques for online audience engagement while developing your oral communication competencies more broadly. Rhetorical approaches for message design, presentation planning, arrangement, and delivery that are useful across settings are emphasized. Some class meetings will take place synchronously online. |
|
|
ORALCOMM 122 "The TED Commandments": The Art and Heart of Effective Public Speaking (ORALCOMM 222) |
Designed around the presentation principles of TED talks, this course approaches public speaking as an art of engagement and possibility. Students will learn a range of strategies - both traditional and innovative - for crafting a compelling message and delivering it with clarity, authenticity, and power. Limited enrollment. Course was previously offered as CTL 122/222. |
||
| Spring |
ORALCOMM 123 Crafting Concept Albums: Big Tales, Small Grooves, and the Art of Musical Narrative |
WAY-A-II, WAY-CE |
Cultures all around the world tell the stories of their history, beliefs, and identities through song. The Greeks set their epic tales of love, life, and death to music, Renaissance composers followed suit, and popular music artists do the same today. In this hybrid workshop-seminar, students will explore musical narratives by analyzing seminal concept albums and then producing their own single-story album through written lyrics. Students will examine how artists use craft elements such as setting, characters, and plot, cover art, and musical form and instrumentation, then apply that learning in their own productions. Creating music, beats, soundscapes, and artwork will be encouraged, but the final project need only be a cycle of recorded, spoken song lyrics. We¿ll focus in particular on narratives of race, class, gender, and sexuality and their social implications as we examine works from artists across musical genres¿from classic and punk rock artists such as Pink Floyd, David Bowie, and Green Day; to hip-hop, pop, and EDM performers such as Beyoncé, Lupe Fiasco, Janelle Monáe, Daft Punk, and Kendrick Lamar. Students will work in groups to choose genre, develop a sense of place and time, select narrative structures, and craft lyrics. No prior experience in music or creative writing is required. |
| Spring |
ORALCOMM 123 Crafting Concept Albums: Big Tales, Small Grooves, and the Art of Musical Narrative |
WAY-A-II, WAY-CE |
Cultures all around the world tell the stories of their history, beliefs, and identities through song. The Greeks set their epic tales of love, life, and death to music, Renaissance composers followed suit, and popular music artists do the same today. In this hybrid workshop-seminar, students will explore musical narratives by analyzing seminal concept albums and then producing their own single-story album through written lyrics. Students will examine how artists use craft elements such as setting, characters, and plot, cover art, and musical form and instrumentation, then apply that learning in their own productions. Creating music, beats, soundscapes, and artwork will be encouraged, but the final project need only be a cycle of recorded, spoken song lyrics. We¿ll focus in particular on narratives of race, class, gender, and sexuality and their social implications as we examine works from artists across musical genres¿from classic and punk rock artists such as Pink Floyd, David Bowie, and Green Day; to hip-hop, pop, and EDM performers such as Beyoncé, Lupe Fiasco, Janelle Monáe, Daft Punk, and Kendrick Lamar. Students will work in groups to choose genre, develop a sense of place and time, select narrative structures, and craft lyrics. No prior experience in music or creative writing is required. |
|
ORALCOMM 123 Crafting Concept Albums: Big Tales, Small Grooves, and the Art of Musical Narrative |
WAY-A-II, WAY-CE |
Cultures all around the world tell the stories of their history, beliefs, and identities through song. The Greeks set their epic tales of love, life, and death to music, Renaissance composers followed suit, and popular music artists do the same today. In this hybrid workshop-seminar, students will explore musical narratives by analyzing seminal concept albums and then producing their own single-story album through written lyrics. Students will examine how artists use craft elements such as setting, characters, and plot, cover art, and musical form and instrumentation, then apply that learning in their own productions. Creating music, beats, soundscapes, and artwork will be encouraged, but the final project need only be a cycle of recorded, spoken song lyrics. We¿ll focus in particular on narratives of race, class, gender, and sexuality and their social implications as we examine works from artists across musical genres¿from classic and punk rock artists such as Pink Floyd, David Bowie, and Green Day; to hip-hop, pop, and EDM performers such as Beyoncé, Lupe Fiasco, Janelle Monáe, Daft Punk, and Kendrick Lamar. Students will work in groups to choose genre, develop a sense of place and time, select narrative structures, and craft lyrics. No prior experience in music or creative writing is required. |
|
|
ORALCOMM 123 Crafting Concept Albums: Big Tales, Small Grooves, and the Art of Musical Narrative |
WAY-A-II, WAY-CE |
Cultures all around the world tell the stories of their history, beliefs, and identities through song. The Greeks set their epic tales of love, life, and death to music, Renaissance composers followed suit, and popular music artists do the same today. In this hybrid workshop-seminar, students will explore musical narratives by analyzing seminal concept albums and then producing their own single-story album through written lyrics. Students will examine how artists use craft elements such as setting, characters, and plot, cover art, and musical form and instrumentation, then apply that learning in their own productions. Creating music, beats, soundscapes, and artwork will be encouraged, but the final project need only be a cycle of recorded, spoken song lyrics. We¿ll focus in particular on narratives of race, class, gender, and sexuality and their social implications as we examine works from artists across musical genres¿from classic and punk rock artists such as Pink Floyd, David Bowie, and Green Day; to hip-hop, pop, and EDM performers such as Beyoncé, Lupe Fiasco, Janelle Monáe, Daft Punk, and Kendrick Lamar. Students will work in groups to choose genre, develop a sense of place and time, select narrative structures, and craft lyrics. No prior experience in music or creative writing is required. |
|
| Autumn |
ORALCOMM 126 Oral Documentary Workshop |
This workshop will lead students through the process of turning interviews, archival tape, and other recorded material into an accomplished audio documentary suited for public radio and major podcasts. Students will learn how to build story out of their materials, design and create a script, edit and mix sound, and distribute their final product. Suited especially to students returning from summer documentary and oral history research projects. Instructor Permission Required. |
|
| Winter |
ORALCOMM 127 Introduction to Podcast Storytelling |
WAY-CE |
This introductory course is designed to teach you the fundamentals of creating stories for new media, especially podcasting. You will learn how to develop and produce pieces across a variety of genres, from memoir to reported pieces, and you will learn the entire process, step-by-step, from pitching and interviewing to scripting and audio (and sometimes photo and video) editing. The course combines a traditional seminar format with a practicum where we workshop work in progress for fiction and nonfiction podcasts produced by the Storytelling Project. Though we focus on audio stories, the craft skills you learn here are transferable to making stories for any medium, from print and performance to web multimedia and film. May be repeated for credit. |
| Spring |
ORALCOMM 127 Introduction to Podcast Storytelling |
WAY-CE |
This introductory course is designed to teach you the fundamentals of creating stories for new media, especially podcasting. You will learn how to develop and produce pieces across a variety of genres, from memoir to reported pieces, and you will learn the entire process, step-by-step, from pitching and interviewing to scripting and audio (and sometimes photo and video) editing. The course combines a traditional seminar format with a practicum where we workshop work in progress for fiction and nonfiction podcasts produced by the Storytelling Project. Though we focus on audio stories, the craft skills you learn here are transferable to making stories for any medium, from print and performance to web multimedia and film. May be repeated for credit. |
| Spring |
ORALCOMM 127 Introduction to Podcast Storytelling |
WAY-CE |
This introductory course is designed to teach you the fundamentals of creating stories for new media, especially podcasting. You will learn how to develop and produce pieces across a variety of genres, from memoir to reported pieces, and you will learn the entire process, step-by-step, from pitching and interviewing to scripting and audio (and sometimes photo and video) editing. The course combines a traditional seminar format with a practicum where we workshop work in progress for fiction and nonfiction podcasts produced by the Storytelling Project. Though we focus on audio stories, the craft skills you learn here are transferable to making stories for any medium, from print and performance to web multimedia and film. May be repeated for credit. |
|
ORALCOMM 127 Introduction to Podcast Storytelling |
WAY-CE |
This introductory course is designed to teach you the fundamentals of creating stories for new media, especially podcasting. You will learn how to develop and produce pieces across a variety of genres, from memoir to reported pieces, and you will learn the entire process, step-by-step, from pitching and interviewing to scripting and audio (and sometimes photo and video) editing. The course combines a traditional seminar format with a practicum where we workshop work in progress for fiction and nonfiction podcasts produced by the Storytelling Project. Though we focus on audio stories, the craft skills you learn here are transferable to making stories for any medium, from print and performance to web multimedia and film. May be repeated for credit. |
|
|
ORALCOMM 127 Introduction to Podcast Storytelling |
WAY-CE |
This introductory course is designed to teach you the fundamentals of creating stories for new media, especially podcasting. You will learn how to develop and produce pieces across a variety of genres, from memoir to reported pieces, and you will learn the entire process, step-by-step, from pitching and interviewing to scripting and audio (and sometimes photo and video) editing. The course combines a traditional seminar format with a practicum where we workshop work in progress for fiction and nonfiction podcasts produced by the Storytelling Project. Though we focus on audio stories, the craft skills you learn here are transferable to making stories for any medium, from print and performance to web multimedia and film. May be repeated for credit. |
|
| Spring |
ORALCOMM 127 Introduction to Podcast Storytelling |
WAY-CE |
This introductory course is designed to teach you the fundamentals of creating stories for new media, especially podcasting. You will learn how to develop and produce pieces across a variety of genres, from memoir to reported pieces, and you will learn the entire process, step-by-step, from pitching and interviewing to scripting and audio (and sometimes photo and video) editing. The course combines a traditional seminar format with a practicum where we workshop work in progress for fiction and nonfiction podcasts produced by the Storytelling Project. Though we focus on audio stories, the craft skills you learn here are transferable to making stories for any medium, from print and performance to web multimedia and film. May be repeated for credit. |
| Spring |
ORALCOMM 129 Sound Stories |
WAY-CE |
This special seminar is designed for students interested in creating stories for radio, podcast, and other sound media. Students will learn both the core principles of telling strong stories, whatever the medium, and the strategies of telling entertaining, persuasive stories for the ear. Just like film or the novel, sonic stories offer a fascinating mix of constraints and opportunities, and you¿ll learn how to invite listeners into an experience or insight that combines theories, facts and feelings into a single space of empathy. This is a hybrid class¿equal parts classic seminar and creative workshop¿and students will create stories from start to finish and learn skills from pitching and interviewing to writing, editing, and digital production. Students will work in small groups to document places through the stories that inhabit them. Recommended for students interested in creative nonfiction, documentary, film, and even sound art. No prior experience necessary. nCardinal Course/CEL/HAAS |
|
ORALCOMM 129 Sound Stories |
WAY-CE |
This special seminar is designed for students interested in creating stories for radio, podcast, and other sound media. Students will learn both the core principles of telling strong stories, whatever the medium, and the strategies of telling entertaining, persuasive stories for the ear. Just like film or the novel, sonic stories offer a fascinating mix of constraints and opportunities, and you¿ll learn how to invite listeners into an experience or insight that combines theories, facts and feelings into a single space of empathy. This is a hybrid class¿equal parts classic seminar and creative workshop¿and students will create stories from start to finish and learn skills from pitching and interviewing to writing, editing, and digital production. Students will work in small groups to document places through the stories that inhabit them. Recommended for students interested in creative nonfiction, documentary, film, and even sound art. No prior experience necessary. nCardinal Course/CEL/HAAS |
|
| Winter |
ORALCOMM 129 Sound Stories |
WAY-CE |
This seminar is designed for students interested in creating audio stories for radio, podcast, and other forms of sonic narrative. Students will examine the craft elements of the audio form, popularized by programs such as This American Life, Radiolab, and Serial including skills for interviewing, scoring, and audio editing, and will then produce their own documentary, memoir, or investigative story. This is a hybrid class, equal parts classic seminar and creative workshop. Students will work in small groups, learning how to develop material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue in order to create engaging stories with social impact. Recommended for students interested not only in podcasting but also creative nonfiction, documentary, film, and sound art. No prior experience with story craft or media required. |
|
ORALCOMM 129 Sound Stories |
WAY-CE |
This seminar is designed for students interested in creating audio stories for radio, podcast, and other forms of sonic narrative. Students will examine the craft elements of the audio form, popularized by programs such as This American Life, Radiolab, and Serial including skills for interviewing, scoring, and audio editing, and will then produce their own documentary, memoir, or investigative story. This is a hybrid class, equal parts classic seminar and creative workshop. Students will work in small groups, learning how to develop material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue in order to create engaging stories with social impact. Recommended for students interested not only in podcasting but also creative nonfiction, documentary, film, and sound art. No prior experience with story craft or media required. |
|
|
ORALCOMM 129 Sound Stories |
WAY-CE |
This seminar is designed for students interested in creating audio stories for radio, podcast, and other forms of sonic narrative. Students will examine the craft elements of the audio form, popularized by programs such as This American Life, Radiolab, and Serial including skills for interviewing, scoring, and audio editing, and will then produce their own documentary, memoir, or investigative story. This is a hybrid class, equal parts classic seminar and creative workshop. Students will work in small groups, learning how to develop material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue in order to create engaging stories with social impact. Recommended for students interested not only in podcasting but also creative nonfiction, documentary, film, and sound art. No prior experience with story craft or media required. |
|
| Winter |
ORALCOMM 129 Sound Stories |
WAY-CE |
This seminar is designed for students interested in creating audio stories for radio, podcast, and other forms of sonic narrative. Students will examine the craft elements of the audio form, popularized by programs such as This American Life, Radiolab, and Serial including skills for interviewing, scoring, and audio editing, and will then produce their own documentary, memoir, or investigative story. This is a hybrid class, equal parts classic seminar and creative workshop. Students will work in small groups, learning how to develop material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue in order to create engaging stories with social impact. Recommended for students interested not only in podcasting but also creative nonfiction, documentary, film, and sound art. No prior experience with story craft or media required. |
| Winter |
ORALCOMM 130 ORALCOMM: Your American Life |
WAY-CE |
This small seminar is designed for students interested in creating audio stories for radio or podcast. You will examine the craft elements of the medium, popularized by programs like This American Life, Radiolab and Serial, and then produce your own documentary, memoir, or investigative story. We will explore the basic principles of strong storytelling, and you will learn how to develop your material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue. We will also examine craft elements unique to the audio form, and you will learn skills for interviewing, scoring, and audio editing. Students will have the opportunity to work with special guests from some of the best narrative podcasts in America. No prior experience with story craft or media required. Cardinal Course/CEL/HAAS |
| Winter |
ORALCOMM 130 ORALCOMM: Your American Life |
WAY-CE |
This small seminar is designed for students interested in creating audio stories for radio or podcast. You will examine the craft elements of the medium, popularized by programs like This American Life, Radiolab and Serial, and then produce your own documentary, memoir, or investigative story. We will explore the basic principles of strong storytelling, and you will learn how to develop your material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue. We will also examine craft elements unique to the audio form, and you will learn skills for interviewing, scoring, and audio editing. Students will have the opportunity to work with special guests from some of the best narrative podcasts in America. No prior experience with story craft or media required. Cardinal Course/CEL/HAAS |
|
ORALCOMM 130 ORALCOMM: Your American Life |
WAY-CE |
This small seminar is designed for students interested in creating audio stories for radio or podcast. You will examine the craft elements of the medium, popularized by programs like This American Life, Radiolab and Serial, and then produce your own documentary, memoir, or investigative story. We will explore the basic principles of strong storytelling, and you will learn how to develop your material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue. We will also examine craft elements unique to the audio form, and you will learn skills for interviewing, scoring, and audio editing. Students will have the opportunity to work with special guests from some of the best narrative podcasts in America. No prior experience with story craft or media required. Cardinal Course/CEL/HAAS |
|
|
ORALCOMM 130 ORALCOMM: Your American Life |
WAY-CE |
This small seminar is designed for students interested in creating audio stories for radio or podcast. You will examine the craft elements of the medium, popularized by programs like This American Life, Radiolab and Serial, and then produce your own documentary, memoir, or investigative story. We will explore the basic principles of strong storytelling, and you will learn how to develop your material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue. We will also examine craft elements unique to the audio form, and you will learn skills for interviewing, scoring, and audio editing. Students will have the opportunity to work with special guests from some of the best narrative podcasts in America. No prior experience with story craft or media required. Cardinal Course/CEL/HAAS |
|
| Winter |
ORALCOMM 130 ORALCOMM: Your American Life |
WAY-CE |
This small seminar is designed for students interested in creating audio stories for radio or podcast. You will examine the craft elements of the medium, popularized by programs like This American Life, Radiolab and Serial, and then produce your own documentary, memoir, or investigative story. We will explore the basic principles of strong storytelling, and you will learn how to develop your material, choose an effective structure, blend dramatization and reflection, ground insights in concrete scenes, create a strong narrative arc, and manage elements such as characterization, description, and dialogue. We will also examine craft elements unique to the audio form, and you will learn skills for interviewing, scoring, and audio editing. Students will have the opportunity to work with special guests from some of the best narrative podcasts in America. No prior experience with story craft or media required. Cardinal Course/CEL/HAAS |
| Spring |
ORALCOMM 175 The Mythic Life (LIFE 175) |
WAY-CE |
Why in the twenty-first century do many of our most acclaimed and popular stories carry narrative forms that are thousands of years old? Star Wars, The Lord of the Rings, Titanic, Batman - all are deeply informed by ancient myth, folklore, and oral traditions. One reason is that the deep stories of myth and folklore act as a bridge between our personal lives and the profoundest aspects of the human condition. They offer a way to understand our lives and how to live them.n nThis course offers an in-depth study and experience of myth and folklore, the roots of modern story and the roots of our own stories. You will hear these myths live, as people have for thousands of years¿from Trickster folk tales to the medieval Arthurian grail epic Parzival. You will also draw from these epics to create and tell a mythic story of your own. This will give you an appreciation for myth as a living principle, not just something from a long time ago. It will also help you become a good storyteller by developing your memory, improvisation, and image-based thinking. This ability to tell a story well is at the root of authentic leadership and helps us bring a powerful, embodied perspective to championing a cause or just debating over coffee. |
|
ORALCOMM 175 The Mythic Life (LIFE 175) |
WAY-CE |
Why in the twenty-first century do many of our most acclaimed and popular stories carry narrative forms that are thousands of years old? Star Wars, The Lord of the Rings, Titanic, Batman - all are deeply informed by ancient myth, folklore, and oral traditions. One reason is that the deep stories of myth and folklore act as a bridge between our personal lives and the profoundest aspects of the human condition. They offer a way to understand our lives and how to live them.n nThis course offers an in-depth study and experience of myth and folklore, the roots of modern story and the roots of our own stories. You will hear these myths live, as people have for thousands of years¿from Trickster folk tales to the medieval Arthurian grail epic Parzival. You will also draw from these epics to create and tell a mythic story of your own. This will give you an appreciation for myth as a living principle, not just something from a long time ago. It will also help you become a good storyteller by developing your memory, improvisation, and image-based thinking. This ability to tell a story well is at the root of authentic leadership and helps us bring a powerful, embodied perspective to championing a cause or just debating over coffee. |
|
|
ORALCOMM 175 The Mythic Life (LIFE 175) |
WAY-CE |
Why in the twenty-first century do many of our most acclaimed and popular stories carry narrative forms that are thousands of years old? Star Wars, The Lord of the Rings, Titanic, Batman - all are deeply informed by ancient myth, folklore, and oral traditions. One reason is that the deep stories of myth and folklore act as a bridge between our personal lives and the profoundest aspects of the human condition. They offer a way to understand our lives and how to live them.n nThis course offers an in-depth study and experience of myth and folklore, the roots of modern story and the roots of our own stories. You will hear these myths live, as people have for thousands of years¿from Trickster folk tales to the medieval Arthurian grail epic Parzival. You will also draw from these epics to create and tell a mythic story of your own. This will give you an appreciation for myth as a living principle, not just something from a long time ago. It will also help you become a good storyteller by developing your memory, improvisation, and image-based thinking. This ability to tell a story well is at the root of authentic leadership and helps us bring a powerful, embodied perspective to championing a cause or just debating over coffee. |
|
|
ORALCOMM 175 The Mythic Life (LIFE 175) |
WAY-CE |
Why in the twenty-first century do many of our most acclaimed and popular stories carry narrative forms that are thousands of years old? Star Wars, The Lord of the Rings, Titanic, Batman - all are deeply informed by ancient myth, folklore, and oral traditions. One reason is that the deep stories of myth and folklore act as a bridge between our personal lives and the profoundest aspects of the human condition. They offer a way to understand our lives and how to live them.n nThis course offers an in-depth study and experience of myth and folklore, the roots of modern story and the roots of our own stories. You will hear these myths live, as people have for thousands of years¿from Trickster folk tales to the medieval Arthurian grail epic Parzival. You will also draw from these epics to create and tell a mythic story of your own. This will give you an appreciation for myth as a living principle, not just something from a long time ago. It will also help you become a good storyteller by developing your memory, improvisation, and image-based thinking. This ability to tell a story well is at the root of authentic leadership and helps us bring a powerful, embodied perspective to championing a cause or just debating over coffee. |
|
|
ORALCOMM 175 The Mythic Life (LIFE 175) |
WAY-CE |
Why in the twenty-first century do many of our most acclaimed and popular stories carry narrative forms that are thousands of years old? Star Wars, The Lord of the Rings, Titanic, Batman - all are deeply informed by ancient myth, folklore, and oral traditions. One reason is that the deep stories of myth and folklore act as a bridge between our personal lives and the profoundest aspects of the human condition. They offer a way to understand our lives and how to live them.n nThis course offers an in-depth study and experience of myth and folklore, the roots of modern story and the roots of our own stories. You will hear these myths live, as people have for thousands of years¿from Trickster folk tales to the medieval Arthurian grail epic Parzival. You will also draw from these epics to create and tell a mythic story of your own. This will give you an appreciation for myth as a living principle, not just something from a long time ago. It will also help you become a good storyteller by developing your memory, improvisation, and image-based thinking. This ability to tell a story well is at the root of authentic leadership and helps us bring a powerful, embodied perspective to championing a cause or just debating over coffee. |
|
| Spring |
ORALCOMM 177 Performance of Power: Oratory and Authority from the Ancient World to the Postmodern |
Writing 2 |
Speech as action has long been seen as essential to leadership. Theories and examples of oratory, from Aristotle to Barack Obama, assessing each as model of voice-activated authority. The impact of mass media technologies as they transform the public space of oratory. Course was previously offered as CTL 177. This class fulfills the Writing & Rhetoric 2 requirement. Prerequisite: PWR 1. |
| Autumn |
ORALCOMM 177 Performance of Power: Oratory and Authority from the Ancient World to the Postmodern |
Writing 2 |
Speech as action has long been seen as essential to leadership. Theories and examples of oratory, from Aristotle to Barack Obama, assessing each as model of voice-activated authority. The impact of mass media technologies as they transform the public space of oratory. Course was previously offered as CTL 177. This class fulfills the Writing & Rhetoric 2 requirement. Prerequisite: PWR 1. |
| Spring |
ORALCOMM 215 Voice Workshop (ORALCOMM 115) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Autumn |
ORALCOMM 215 Voice Workshop (ORALCOMM 115) |
Focus is on breath, voice production, expansion of vocal range and stamina, and clarity of articulation. Geared toward public speaking including presentations, lectures, and job talks. May be taken in conjunction with ORALCOMM 117. ORALCOMM 115/215 was previously listed as CTL 115/215. |
|
| Autumn |
ORALCOMM 217 The Art of Effective Speaking (ORALCOMM 117) |
The principles and practice of effective oral communication. Through formal and informal speaking activities, students develop skills framing and articulating ideas through speech. Strategies for speaking extemporaneously, preparing and delivering multimedia presentations, formulating persuasive arguments, refining critical clarity of thought, and enhancing general facility and confidence in oral self-expression. ORALCOMM 117/217 was previously listed as CTL 117/217. |
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| Winter |
ORALCOMM 217 The Art of Effective Speaking (ORALCOMM 117) |
The principles and practice of effective oral communication. Through formal and informal speaking activities, students develop skills framing and articulating ideas through speech. Strategies for speaking extemporaneously, preparing and delivering multimedia presentations, formulating persuasive arguments, refining critical clarity of thought, and enhancing general facility and confidence in oral self-expression. ORALCOMM 117/217 was previously listed as CTL 117/217. |
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ORALCOMM 219 Oral Communication for Graduate Students |
(Formerly CTL 219.) Graduate student speaking activities such as teaching (delivering lectures, guiding discussion, and facilitating small groups), professional presentations and conference papers, and preparing for oral exams and defenses. In-class projects, discussion, and individual evaluation assist students in developing effective techniques for improving oral communication skills. |
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| Spring |
ORALCOMM 220 Speaking Effectively in Digital Settings (ORALCOMM 120) |
In this hands-on, learn-by-doing class, you will practice giving presentations via digital platforms to gain familiarity with best practices and techniques for online audience engagement while developing your oral communication competencies more broadly. Rhetorical approaches for message design, presentation planning, arrangement, and delivery that are useful across settings are emphasized. Some class meetings will take place synchronously online. |
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