‘I Think We’re Cousins?’: ‘Ain’t Too Proud’ Performers Realize Link
A post in a family Facebook group led an actor and a musician in the Broadway musical to discover that they are distant cousins.
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A post in a family Facebook group led an actor and a musician in the Broadway musical to discover that they are distant cousins.
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Will Eno’s inward-looking incarnation of “Peer Gynt” steps out of Ibsen’s shadow just as Ibsen shrugged off elements of the original fairy tale.
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The new musical, based on the 2008 film and delayed by the pandemic, debuts at the Public Theater. But its story of a white professor helping immigrants feels out of step with the moment.
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The first post-shutdown live performance at New York Theater Workshop is almost a debriefing after the crisis we have endured.
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Lin-Manuel Miranda’s directorial debut is an adaptation of a show by Jonathan Larson, creator of “Rent.” This guide unpacks the many layers.
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A new play by Simon Stephens has hearty performances but a nearly undetectable pulse.
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Her prescient 1955 play about racism in the theater world is reaching the big stage. And it’s anything but a period piece.
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On British stages, Saoirse Ronan, Cush Jumbo and Ian McKellen present contrasting approaches to Shakespeare and Chekhov.
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Employees must all be vaccinated, but some are upset that the upcoming show is not also testing them for the virus, as is done on Broadway and at other major performing venues.
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