Dillinger Captured by Dogged Filmmaker!
By MARK HARRIS
Michael Mann’s “Public Enemies” owes its very existence to a roster of films that never happened.
Framed by a retrospective, the artist Dan Graham insists that he’s just playing.
Michael Mann’s “Public Enemies” owes its very existence to a roster of films that never happened.
Agnès Varda, the only female filmmaker associated with the New Wave, is still making movies at 81.
After years of working quietly on songs while enjoying something like anonymity, Maxwell, neo-soul’s former male sex symbol, is going public again and taking new chances.
Master companies of a choreographer’s diaspora take on a broad sampling of his ballets.
In a banner year for female stage directors, parity remains elusive.
Artists in nearly every category of jazz have found their way to Bob Koester and Delmark Records.
David Faustino and Corin Nemec, television stars from the 1990s, are trying to move forward by exploiting their faded fame in projects like “Star-ving,” a Web series.
James Ensor’s work has surged in popularity among a new wave of contemporary artists who are incorporating elements of his across various mediums.
Jon Pareles reviews "Murdering Oscar (and Other Love Songs)" by Patterson Hood; Ben Ratliff on "A Man's Thoughts" by Ginuwine; and Chris Potter performs in our studio. Sia Michel is the host.
Melena Ryzik reports on a benefit for the American Theater Wing, founder of the Tony Awards.
Michael Jackson, 50, who went from boy wonder to global pop superstar to sad figure haunted by lawsuits, paparazzi and failed plastic surgery, died Thursday in a Los Angeles hospital.
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