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Markets, Murder and Trash: The Real New World Order Emerges in Juarez PDF Print E-mail
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Written by Chris Floyd   
Tuesday, 21 June 2011 11:57

Do you want to know what the future looks like? Ed Vulliamy can show you. Just follow him down to Ciudad Juarez, where the witless, heedless, heartless machinery of "market fundamentalism" (or "late capitalism," or whatever other name you'd like to give to the unrestrained greed of our elites) has come to its logical, horrific culmination.

Vulliamy notes, rightly, that the vast profits which the "upperworld" of the financial and political elite earns from the murderous drug trade is at the core of the nihilistic hellmouth that has opened up in Mexico. This same upperworld is also adamant in continuing the immeasurably corrosive and corrupting of criminalizing -- rather than regulating, mitigating and taxing -- the innate human desire to disorder the senses, for whatever reason: pleasure, escape, comfort, despair.

But as Vulliamy also observes, the "drug war" and its discontents are just mirrors of the wider reality of a world ruled by zealots given over to the worship of money and its trappings to the exclusion of every other understanding of human worth. Below are some excerpts, but you should read the whole, harrowing piece:

....But this is not just a war between narco-cartels. Juarez has imploded into a state of criminal anarchy – the cartels, acting like any corporation, have outsourced violence to gangs affiliated or unaffiliated with them, who compete for tenders with corrupt police officers. The army plays its own mercurial role. ... Not by coincidence, Juarez is also a model for the capitalist economy. Recruits for the drug war come from the vast, sprawling maquiladora – bonded assembly plants where, for rock-bottom wages, workers make the goods that fill America's supermarket shelves or become America's automobiles, imported duty-free. Now, the corporations can do it cheaper in Asia, casually shedding their Mexican workers, and Juarez has become a teeming recruitment pool for the cartels and killers. It is a city that follows religiously the philosophy of a free market.

"It's a city based on markets and on trash," says Julián Cardona, a photographer who has chronicled the implosion. "Killing and drug addiction are activities in the economy, and the economy is based on what happens when you treat people like trash." Very much, then, a war for the 21st century.

...Mexico's war does not only belong to the postpolitical, postmoral world. It belongs to the world of belligerent hyper-materialism, in which the only ideology left – which the leaders of "legitimate" politics, business and banking preach by example – is greed.

...People often ask: why the savagery of Mexico's war? It is infamous for such inventive perversions as sewing one victim's flayed face to a soccer ball or hanging decapitated corpses from bridges by the ankles; and innovative torture, such as dipping people into vats of acid so that their limbs evaporate while doctors keep the victim conscious.

I answer tentatively that I think there is a correlation between the causelessness of Mexico's war and the savagery. The cruelty is in and of the nihilism, the greed for violence reflects the greed for brands, and becomes a brand in itself.

Vulliamy notes that there are simple steps that could be taken immediately to curtail and quell this downward spiral. (Parenthetically, I think he downplays the potent effect that decriminalization would have, draining the swamp of inordinate profit that a black market always brings.) But he is absolutely right in observing that none of these steps will be taken -- because they would affect the bottom line of our great and good. His words on this point are harsh, sharp, and true:

People also ask: what can be done? There is endless debate over military tactics, US aid to Mexico, the war on drugs, and whether narcotics should be decriminalised. I answer: these are largely of tangential importance; what can the authorities do? Simple: Go After the Money. But they won't.

Narco-cartels are not pastiches of global corporations, nor are they errant bastards of the global economy – they are pioneers of it. They point, in their business logic and modus operandi, to how the legal economy will arrange itself next. The Mexican cartels epitomised the North American free trade agreement long before it was dreamed up, and they thrive upon it.

Mexico's carnage is that of the age of effective global government by multinational banks – banks that, according to Antonio Maria Costa, the former head of the UN Office on Drugs and Crime, have been for years kept afloat by laundering drug and criminal profits. Cartel bosses and street gangbangers cannot go around in trucks full of cash. They have to bank it – and politicians could throttle this river of money, as they have with actions against terrorist funding. But they choose not to, for obvious reasons: the good burgers of capitalism and their political quislings depend on this money, while bleating about the evils of drugs cooked in the ghetto and snorted up the noses of the rich.

And so here we are. The Drug War long ago merged with the Terror War, which in turn has merged with the long-running war of the elites against the ordinary people of their own countries. We live in the midst of a perfect storm of elitist terror (and its offshoots) raining down on us from every side. As Vulliamy bleakly concludes:

So Mexico's war is how the future will look, because it belongs not in the 19th century with wars of empire, or the 20th with wars of ideology, race and religion – but utterly in a present to which the global economy is committed, and to a zeitgeist of frenzied materialism we adamantly refuse to temper: it is the inevitable war of capitalism gone mad. Twelve years ago Cardona and the writer Charles Bowden curated a book called Juarez: The Laboratory of Our Future. They could not have known how prescient their title was. In a recent book, Murder City, Bowden puts it another way: "Juarez is not a breakdown of the social order. Juarez is the new order."

 
No-Life Zone: Deeper and Deeper Into the Mire PDF Print E-mail
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Written by Chris Floyd   
Monday, 20 June 2011 16:44

Obviously, there was a typo in the UN resolution approving NATO’s operations in Libya. It was widely reported that the resolution authorized the establishment of a “no-fly” zone in Libya to protect civilians from being killed by military attack. However, it’s clear now that what the international body really greenlighted was a “no-life” zone, designed to, er, kill people with, er, military attacks.

It’s an easy mistake to make, really, transposing the “f” and “l” like that; a UN transcriptionist probably misheard the original intention, then mentally “corrected” it with the “y” to make it read in the more accustomed manner. Happens all the time.

In any case, a “no-life” zone is what we have in Libya, as the latest story of civilian casualties from NATO bombs makes clear. In this case, the slaughter was so open and egregious that NATO actually had to admit killing Libyan civilians for the first time; previously, we’ve been asked to believe that dumping tons of high explosives in the middle of a heavily populated city had not harmed the hair of a single innocent head.

(The three young grandchildren of Moamar Gadafy that were killed by NATO bombs last month obviously don’t count – because, duh, they were kin to Gadafy! They bear the blood taint of evil. Stalin, who ruthlessly condemned family members of “enemies of the people,” and Hitler, who killed anyone with the slightest tincture of Jewish blood in them, would no doubt be proud to see their rigorous standards of hygiene being adopted by the moral paragons of the “Western alliance.”)

Yet even as the Nobel Peace Laureate and Constitutional law scholar continues a war in Libya that his own top legal advisers tell him is patently unlawful and unconstitutional, he is racheting up yet another illegal war that has already reaped a rich harvest of civilian deaths: in Yemen.

As Jason Ditz notes, the Peace Laureate is using the increasingly violent civil strife in Yemen as a cover for a vast expansion of his drone missile assassination program in that country. These attacks are ostensibly aimed at “eradicating” yet another handful of cranks calling themselves “al Qaeda;” the alleged involvement of this group in a couple of failed “terrorist actions” so ludicrous and inept (exploding underwear!) that a cynic might be tempted to say they were designed to fail is, evidently, a dire and imminent existential threat to the United States, requiring billions of dollars, thousands of missiles – and the lifeblood of hundreds of innocent people – to combat. So saith the Nobel Peace Prizewinner.

In the first half of June alone, the Peace Laureate killed at least 130 people in daily assaults with his big, bold, brave drone missiles, fired by big, bold, brave American operatives back in the States or at some other imperial installation hundreds or thousands of miles out of harm’s way. Some of these attacks have been aimed at alleged members of the local AQ, including, of course, the American citizen Anwar al-Awlaki, who has been publicly condemned to death, without trial, for the crime of exercising his constitutional right to say stupid and hateful things. (Apply that stricture universally, and the entire American political class would be drone food.)
Other attacks have been aimed at – well, we don’t know. We’re not even sure if the CIA – the increasingly powerful and militarized Praetorian Guard in charge of this particular mass killing program – knows who most of the missiles are being aimed at. All we do know is that innocent people are being slaughtered in their dozens and hundreds by American missiles in Yemen. 

Yet with that wise, far-seeing, 11th-dimensional chess brain that the Peace Laureate is famed for, he is already looking to the future. Now that the government upheaval in Yemen has deprived him of a reliable dictator to assist his illegal war of mass assassination, Obama has decided to build yet another secret base somewhere in the volatile region – at a cost of unknown secret billions – for the express purpose of escalating the Praetorian Guard’s robotic killing spree.

There is no rhyme or reason to any of this. Regardless of the ever-shifting explanations our leaders offer – to the public, and, who knows, to themselves – the killing machine has long taken on a momentum of its own. They are now killing people – innocent people, around the world, every day – simply because they can do it. And because it’s the only thing they know how to do, the only way they know how to maintain and extend the brutal domination of world affairs that the American ruling class believes is the sole purpose of our national existence. And because too many elites are making too much money from killing people. And because too many leaders are getting too much pleasure, and filling too many holes in their own crippled souls, from wielding an unaccountable power of life and death over the nations of the earth.

And no one will stop them because too many ordinary people, battered by too many years of the relentless class warfare that has hollowed out their lives and society, and by an endless tsunami of self-righteous, self-glorifying propaganda, have adopted the perverted values of the elite, and given up all notion of a common good or a common humanity, or else have been beaten and broken and driven into hopeless despair, as each turn of the political gyre makes things worse – more harsh, more brutal, more unfeeling, more insecure, more grating, more shallow, more hollow, more deadly, more corrupt.

Yet every day, at every turn, we are told by earnest progressives that we must support the leader of this system, a man who has entrenched and exacerbated its bloodiest and most brutal currents in almost every way. We must support, encourage, and enable assassination, slaughter, corruption and mass murder; we must, as I noted the other day, be prepared to tear small children into bloody pieces, day after day, for no other discernible reason than to preserve the unlawful, immoral domination of a bloodthirsty militarist elite. That’s what it means to be a “progressive” today. (If you want to see this hideous argument demolished with remarkable power, eloquence and savage wit, read the latest posts from Arthur Silber here and here.)

But there is nothing new in this. Even before the Peace Prizer was gifted with the laurel, his zeal, his love for the killing machine was evident. I’ll close here with an excerpt from a piece written in September 2009 that describes where we were then – and, unfortunately, where we are now.

At some point earlier this month, Barack Obama took a moment out of his busy day to sign an "execute order." That is, he ordered American agents to kill a man without any legal procedure whatsoever: no arrest, no trial, no formal presentation – and disputation – of evidence, no defense…and no warning. They killed him on the open road, in a sneak attack; he was not engaged in combat, he was not posing an imminent threat to anyone at the time, he had not been charged with any crime. This kind of thing is ordinarily regarded as murder. Certainly, if you or I killed someone in this way – or paid someone to do it – then we would find ourselves in the dock, facing life imprisonment or our own execution. But then, you and I are subject to the law; our leaders are not.

Let's say it again, just to let the reality of the situation sink in a bit further: at some point last week, Barack Obama ordered men in his employ to murder another human being. And not a single voice of protest was raised anywhere in the American political and media establishments. Churchmen did not thunder from the pulpits about this lawless action. The self-proclaimed patriots and liberty-lovers on the ever-more militant Right did not denounce this most extreme expression of state tyranny: the leader's arbitrary power to kill anyone he pleases. It is simply an accepted, undisputed fact of American life today that American leaders can and do – and should – murder people, anywhere in the world, if they see fit. When this supreme tyranny is noted at all, it is simply to celebrate the Leader for his toughness -- or perhaps chide him for not killing even more people in this fashion.

I wrote a great deal about this theme when George W. Bush was president. I began back in November 2001, after the Washington Post reported that Bush had signed an executive order giving himself the power to order the killing of anyone he arbitrarily designated a terrorist. Year after year, I wrote of how this murderous edict was put into practice around the world, and of its virulently corrosive effects on American society.  Now Barack Obama is availing himself of these same powers. There is not one crumb, one atom, one photon of difference between Obama and Bush on this issue. They both believe that the president of the United States can have people killed outside of any semblance of a judicial process: murdered, in cold blood, in sneak attacks, with any "collateral damage" regarded as an acceptable by-product – just like the terrorists they claim to be fighting with these methods.

Nor does this doctrine of presidential murder make any distinction between American citizens and foreigner. Indeed, one of the first people known to have been killed in this way was an American citizen living in Yemen. So let us put the reality in its plainest terms: if the president of the United States decides to call you a terrorist and kill you, he can. He doesn't have to arrest you, he doesn't have to charge you, he doesn't have to put you on trial, he doesn't have to convict you, he doesn't have to sentence you, he doesn't have to allow you any appeals: he can just kill you. And no one in the American power structure will speak up for you or denounce your murder; they won't even see that it's wrong, they won't even consider it remarkable. It's just business as usual. It's just the way things are done. It's just the way we are now.

....The murder will also serve as lesson for would-be terrorists around the world – the same lesson that the War on Terror has been teaching day after day, year after year, from the day it was launched by George W. Bush to its continuance and expansion by Barack Obama today. That lesson is stark and simple: Murder works. Murder is the way to advance your agenda. Murder is what "serious" players on the world stage do. There is no law but the law of power; there is no way but the way of violence. There is no morality, there is no liberty, we share no common humanity.

This is the example that America now sets for the world. This is what we teach our children – and the children of our victims. This is what Barack Obama affirmed once again when he signed his "execute order."

 
A Dozen Beasts Slouching: Long View of a Dark Age PDF Print E-mail
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Written by Chris Floyd   
Monday, 13 June 2011 23:47

I wrote the lines below more than 25 years ago; but when I finally got around to putting them to music some months ago, what had seemed allusive and metaphorical – both the public overview and the personal intimations of mortality – had become all too real. It’s like the passage toward the end of Doctor Zhivago, when two survivors of revolution, famine, purge, camps and war are looking back:

“This has happened several times in the course of history. A thing which had been conceived in a lofty, ideal manner becomes coarse and material. Thus Rome came out of Greece and the Russian Revolution came out of the Russian enlightenment. Take that line of Blok’s: ‘We, the children of Russia’s terrible years.’ You can see the difference of period at once. In his time, when he said it, he meant it figuratively, metaphorically. The children were not children, but the sons, the heirs of the intelligentsia, and the terrors were not terrible but apocalyptic; that’s quite different. Now the figurative has become literal, the children are children and the terrors are terrible. There you have the difference.”

Anyway, those rough beasts once dimly perceived have not only come slouching, they’ve now emerged full-blown, ravenous and vivid. So when I ran across this sketch again while searching for something else, I thought it might be worth a brief re-visiting.


Standing in the Morning by Chris Floyd

Have them play Shostakovich at my funeral:
Something grim, unnerving, hard to hum.
But make sure that you're laughing in the background;
Be glad that I am quit of what's to come.

For the destruction of the world is never-ending;
And just as tirelessly, creation rears.
This dark age is but an hour for apprehending
The trace left by a cold sweat-drop of fear.

A dozen beasts come slouching, a hundred prophets rise –
The timewheel, like a winepress, brings them forth.
The next two thousand years are here in incubation:
We are the forefathers, the ancient of the earth.

But I myself am standing in the morning of non-being,
Which has worn its way through me at last.
I'm taut with wild yielding to the mighty yawning
That swallows up the waters of the past.

 
Visible Means of Support: Backing Brutality in Bahrain PDF Print E-mail
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Written by Chris Floyd   
Sunday, 12 June 2011 15:18

Last week, the Nobel Peace Prize laureate met with the crown prince of Bahrain and "reaffirmed" the United States' "strong commitment" to the regime of unelected autocrats. The Peace Laureate -- who in his acceptance of the Prize wrapped himself in the mantle of Martin Luther King Jr. and Mahatma Gandhi -- also "expressed strong support" for the regime's "ongoing efforts to initiate national dialogue ... [and] forge a just future for all Bahrainis."

President Obama had dropped in a meeting the prince was having with Secretary of State Hillary Clinton, who likewise extolled the autocrats for their "national dialogue" and "important work."

There is indeed "important work" going on in Bahrain these days, and the autocratic regime's "ongoing efforts to initiate dialogue" -- the campaign lauded by the Laureate -- are quite vigorous. Here, for example, The Independent details a case study of just how the crown prince and his family's regime is pursuing "national dialogue" in the manner so warmly approved by the presidential peacenik:

Bahraini security forces beat the detained poet Ayat al-Gormezi across the face with electric cable and forced her to clean with her bare hands lavatories just used by police, members of her family said yesterday in a graphic account of the torture and humiliation suffered by those rounded up in the Gulf nation's crackdown on dissent.

The 20-year-old trainee teacher, who spent nine days in a tiny cell with the air conditioning turned to freezing, is due back in court this weekend on charges of inciting hatred, insulting the king and illegal assembly, and her family fear she may suffer further mistreatment in custody amid threats of another round of interrogation.

Masked police arrested Ayat at her home on 30 March for reciting a poem criticising the monarchy during a pro-democracy rally in the capital Manama in February. ... The details of her interrogation and imprisonment are similar to the experiences of other women detained by Bahraini security forces since they launched a full scale repression on 15 March against all those demanding democratic reform in the island kingdom.

Ayat gave herself up to police after they threatened to kill her brothers. She was taken away in a car with two security officials – a man and a woman – both of whom were masked and dressed in civilian clothes. They immediately started to beat her and threaten her, saying she would be raped and sexually assaulted with degrading photographs of her put on the internet.

... While Ayat was meeting her family during the arraignment, a policeman overheard her giving details of her mistreatment. He said that if she continued to do so, she would be returned to the interrogation centre and tortured again.

This is what the regime of the honored and lauded crown prince is doing to those who dare to state publicly their desire to have a democratic government. This is the "national dialogue" which last week was given a highly public imprimatur of approval from the administration of the Nobel Peace Laureate.

One wonders sometimes how his head can bear up under those laurels, caked and heavy as they are with dried blood, clots of viscera and vast heavings of hypocrisy.

2.
Of course, the treatment being meted out to 20-year-old unarmed poets by the Obama-lauded, Clinton-approved Bahraini regime is just the tip of the iceberg. The repression is deep, brutal, violent -- and backed up by military forces from that other highly approved autocracy in the region: Saudi Arabia. (Where Hillary Clinton would be put in jail if she dared to drive a car.)

As usual, you can find more on Bahrain -- including direct reports from the ground and copious links to media sources (such as that radical journal, The Economist) -- at the site of As'ad AbuKhalil, the "Angry Arab." He keeps a sharp and scornful eye on the crimes and follies committed on all the sinister operators -- imperial meddlers, local thugs, unctuous collaborationists, repressive sectarians -- in the region. For example, here's a recent post:

Bahraini comrades sent me this:  "As you may know the oppressors in Bahrain are targeting professional women arresting from their places of work or study. Many have disappeared into military style prisons and have not had access to lawyers or their families. The few who have been released report sexual attacks, verbal and physical insults and threats and other forms of torture. I attach for your attention a spreadsheet with the names of only 55 of these detainess. You will note that one of those arrested is a pregnant woman who happens to be the wife of an activist.  Many others are young women in their early 20's. One of these young ladies is a poet and a student teacher who was arrested after 4 of her brothers were threatened at gunpoint to turn their sister in.  No other Arabic regime has used torture and arrest against women to crush protests in this systematic and brutal manner. Yet media outlets in the west and Aljazeera Arabic are largely silent on these abuses in stark and shameful contrast to the coverage given to other protests."

And this:

Jane sent me this (I cite with her permission):  "I guess you saw the news that four men have been sentenced to death today by a military court that convicted them of killing two policemen during the uprising. Today Bahrain TV aired a "documentary" that gives full details, including televised "confessions" from several of the men. ..."

As some people have asked, why would defendants who were pleading "not guilty" make confessions on camera? The names of those confessing aren't given, but Chanad, an eagle-eyed blogger/tweep, pointed out that the first man "confessing" (six minutes into the programme) appears to be Ali Isa Saqer. Mr Saqer was one of the people detained in connection with the killings, but he was not sentenced yesterday. That's because he already died in custody in early April. Human Rights Watch, which saw his body, said it bore signs of "horrific abuse". He was buried on April 10th.

Frank Gardner of the BBC wrote about him recently ....:

"Accused of trying to run over a policeman during a protest, Ali Isa al-Saqer had handed himself over to police after his family say they were threatened. Six days later he died in their custody, the authorities say he fought his jailers. His family, seeing his battered body for the first time since his arrest, collapsed in howls of grief; his wounds were quite simply horrific.

Beaten black and blue, his lacerated back resembled a bloody zebra; he appeared to have been whipped with heavy cables, his ankles and wrists manacled.

I brought up his case with the health minister, Dr Fatima al-Beloushi, who is also minister for human rights. At first she said that the opposition had altered the images to invent the lacerations. But when I replied that we had been to the funeral and seen them ourselves she immediately promised a full investigation."

Beaten black and blue. Whipped with heavy cables. Battered to death. By agents of powers approved and backed and armed and trained by Washington -- powers, which, like their Potomac mentors, simply lie about their crimes -- or blame the victims themselves.

Again, I say what I have said here over and over (and will keep on saying): This is what you are supporting, enabling and continuing when you support the Obama Administration. Whether that support is wholehearted -- if you, like Kevin Drum, proudly shut down you own brain and defer supinely to Obama's superior wisdom -- or whether it is reluctant, defensive, "to keep the other guys out" because you desperately hope the Democrats might possibly be marginally better, the results are still the same: murder, brutality, violence, corruption, chaos and suffering.

If that's what you want to support -- if you feel for whatever reason that this is the best, most honorable, moral, productive course to take -- then that's your right, of course. But be aware of what that choice really means -- in actual lives of real human beings, right now, at this minute, and far into the future. Don't pretend that you don't know; don't pretend that you aren't saying, "I will pull the trigger and kill this little child to make the world a better place."

 
The Impossible Distance: A Choice to Kill PDF Print E-mail
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Written by Chris Floyd   
Monday, 06 June 2011 00:12

I watched them marching toward the border. Row upon row of them in the hot, bright sun. They marched without guns, without tanks and missiles -- although some, like the shepherd boy David, did pick up a few rocks to hurl into the impossible distance.

I watched them stream down the green hill toward the heaps of dirt and wire. I saw them, old and young, walk toward the occupied land. I saw them come closer -- close enough for the heavily-armed occupying force to have them in range.

From a distance -- behind the barbed wire, with the occupiers, where the cameras that showed the scene were set -- I heard the dull pops and parps of the guns as they fired. I saw the marchers kept streaming down the hill, although the first wave was now breaking in disarray. I heard the guns again. I saw some marchers fall, others scramble back, and still more coming down.

Pop. Pop. Parp. The dull sounds, intermittent, careful. The bullets whizzed across the distance -- the impossible distance, which no stone could traverse. The bullets threw up clouds of dirt, they struck flesh. I saw bodies twisting and going down. The march became a rescue party. The dead and wounded were lifted onto sheets and stretchers as the bullets kept coming: dull, intermittent, careful. Pop. Pop. Parp.

Finally, as many lay dead, many lay bleeding in bright, hot sun, finally, across the distance, from behind the barbed wire and hot-barrelled weapons, I watched the canisters of tear gas sailing through the air, trailing streams of smoke. They landed on the dirt and the green grass, and spewed their painful, irresistible fog.

Now, at last, the marchers -- who had kept coming in the face of the bullets -- turned and fled. Carrying the dead, the dying and bleeding, they ran back up the green hill.

Then suddenly the scene shifted to an anonymous government office, where a comely young spokeswoman, speaking crisp, American-accented English, explained that these unweaponed marchers walking in the hot, bright sun posed such an overwhelming threat to the heavily-armed occupying forces behind the walls of barbed wire that there was no alternative, no other choice, but to open fire across the impossible distance that no stone could traverse, to fire into the unarmed crowd, to fire again and again, to watch them twist and fall into the mounds of dirt. No choice. No alternative.

Her appearance on the screen lasted almost as long as the time given to the marchers and their dead. The reporter, who was standing near the border, behind the barbed wire, who had seen it all with his own eyes, dutifully concluded his piece with geopolitical context -- one side says this, the other says that, plots and machinations lie behind every public outpouring. But even given all that, even he -- speaking as the marchers were fleeing from the noxious clouds behind him -- even he could not avoid the obvious question: Why use the tear gas last? Why shoot first? Why fire into the bodies, into the unarmed marchers, and kill them, when all along you were equipped with the proven means to disperse them without death and blood?

It seems, then, there was a choice for the occupying force. And they made the that choice. The choice to kill, to speak with death and blood across the impossible distance.

 
For This Relief, Much Thanks PDF Print E-mail
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Written by Chris Floyd   
Sunday, 05 June 2011 20:39

(UPDATED BELOW)

Just a quick note to say that I am overwhelmed by the support shown for Empire Burlesque after the recent pitch for donations. It was completely unexpected; I had no idea there was such feeling for the website out there. I just want everyone who gave to know how very much their gift is appreciated, however large or small. Words fail me on this, really. Thank you again.

Now I'll have to get to work and try to write some posts worthy of such an outpouring!

UPDATE: I also wanted to note that due to security measures to ward off hack attacks, most comments have to be approved by hand now, instead of going up automatically. I try to keep on top of it, but it can back up at times, especially if I'm away. So if you post a comment and don't see it for awhile, that's why. My apologies for any inconvenience.

 
Money, Murder, and the Madness of Empire PDF Print E-mail
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Written by Chris Floyd   
Friday, 03 June 2011 23:20

As always, I hate to do this, but I just wanted to put out a brief call for donations, if anyone feels moved to pitch a few coins into the hat. Regular financial support for this site has dwindled down to almost nothing; there is now only one regular subscriber, where once there had been dozens. (Was it something I said?) People do chip in from time to time, and I'm enormously grateful for that. And of course, times are hard all over, and there are needs far greater than mine. (Arthur Silber, for one; don't you dast give anything here without giving there first.) Still, the income once generated by my political writings has essentially disappeared, and one does feel that gap every now and then.

So if you've got a few pennies, and you've taken care of your own needs and those of others in more need, and you take a notion, we would be mighty grateful and much beholden for anything you might toss this way.

Meanwhile, pressing personal business of various sorts have kept me preoccupied of late. So in lieu of my own deathless take on various issues of the day, please take a gander at a few of these important articles which have appeared in the last few days.

War Against Humanity, Part 1
A new drive has been launched to end the so-called "War on Drugs." A whole raft of Establishment worthies -- conveniently out of power now, alas -- have signed their names to a new call to end what is probably the most pernicious, corrupting, and corrosively evil movement of our time. The "War on Drugs" has doubtless done more to degrade human society -- and civil liberties -- than anything else in the past 30 years. It has given jet fuel to the expansion of the underworld, corrupted the "overworld" beyond all reckoning, aided and exacerbated the rise of authoritarian regimes in what were once considered democracies across the world, and generally added immeasurably to the burden of human suffering, in every corner of the globe, for decade after decade.

Yet, because it serves the interests of the powerful few so superbly, there is almost no hope that this "war" will ever end -- even though some, or many, of those who once served and feasted in the gilded circles of the elite now publicly acknowledge that this relentless onslaught on liberty and reason will, in the end, devour the goose that gave them so many golden eggs.

Two recent articles address this issue. First, Peter Wilby in the Guardian; and this news piece in The Independent.

War Against Humanity, Part 2
Of course, the "Drug Wars" are only part of a much larger campaign to enclose the human community in a super-techno, ultra-modern feudal regime of servitude and dependence on the high and mighty. For some searing explications of how this pernicious dynamic operates, see this piece by Johan Hari in the Independent; and the always excellent (and harrowing) Michael Hudson in CounterPunch.

War Without End, Amen
As usual, wise man William Pfaff has much to say about the unbearable burdens of empire, in this piece on Truthout: Budget Problems, America? Try Ending Your Many Wars.

More on empire: This is what an imperial state looks like in action: not just criminalizing free speech, but putting it under a death sentence.

 
Jabbing the Squid: "No Banker Left Behind" PDF Print E-mail
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Written by Chris Floyd   
Friday, 27 May 2011 11:44

Here’s a nice piece of work, via Truthdig: Ry Cooder channeling Uncle Dave Macon (a trenchant observer of the high crimes and low comedy of politics in his day) with a new song, “No Banker Left Behind.”

 
Borderline Case: Some Real News Beyond the "Reset" Rhetoric PDF Print E-mail
Written by Chris Floyd   
Thursday, 26 May 2011 21:17

In the last few days, Barack Obama has delivered two “major,” “landmark,” even “historic” speeches, which apparently have “reset” American policy in the Middle East, reaffirmed the overwhelming importance of “the West” (i.e., Britain and America) to the proper functioning of the world, and, we are told, “squarely” put the United States on the side of the dissidents and rebels of the Arab Spring.  All of these claims, put forth in reams of earnest analysis and paeans of praise, call to mind the immortal words of Brick Pollitt: “Wouldn’t that be funny if that was true?”

Of course, none of it is true. Obama’s soaring rhetoric about America changing its policy of supporting dictators in favour of boosting democracy in the Middle East could have been taken word for word from several major landmark historic speeches that George W. Bush made on the same subject. But these words – the ones Bush used to mouth and the one mouthed by Obama these days – are always belied by the facts on the ground.

For example, in his afflated rhetoric to the UK parliament, Obama piously declared that “democracies are our best allies.” But in fact, on the ground, America’s best ally in the Middle East, outside of Israel, is Saudi Arabia – the most repressive, extremist regime on the face of the earth, with the possible exceptions of North Korea and Burma. And while Obama waxed lyrical about “the West’s” great moral beaconry and devotion to peace, NATO forces were pounding Tripoli with Western bombs, and planning to send Apache attack helicopters (whose very name evokes stirring echoes of the West’s pious history and its attitude toward ‘recalcitrant’ native tribes like the heathen redskins out West and those worthless sandgrubbers in Libya) to take part in a civil war between two armed factions.

But really, it is pointless to parse these things, or expend any mental energy on them at all, beyond that needed to note the murderous mendacity of these grand occasions with their endlessly rehashed bromides. There is no “news” in Obama’s speeches, nothing that will materially affect any of the complex processes now playing out in the Arab world (aside, of course, from his earnest pledge to continue killing people in Libya in order to save people in Libya from, er, being killed). The phrase “hot air” falls cosmically short of capturing the vacuous insubstantiality of these weighty addresses.

However, there was some real news in the Middle East this week, a development that will actually have a far greater impact on the labyrinthine power plays in the Middle East than any rhetorical “reset” in Washington. The Egyptian government announced that it is lifting the hideous blockade of Gaza imposed by the Mubarak regime in collaboration with Israel – a move which turned Gaza into a Warsaw Ghetto writ large, the “world’s largest open-air prison,” and subjected multitudes of innocent people to horrible suffering, grinding poverty, declining health, hopelessness, despair and rage. All of this was imposed on the Palestinians in Gaza for their heinous crime of ... voting for the wrong party in a free, fair, open democratic election. So much for the great Western commitment to “democracy” limned so nimbly by Obama this week.

Of course, anyone with the slightest acquaintance of history (which, of course, leaves out 97 percent of the Anglo-American chattering classes) knows that the United States has always been firmly and forthrightly committed to democracy for all god’s chillums all over the world – as long as they vote for the leaders that Washington wants.

In any case, the move by Egypt to open its border should have a genuinely profound effect on the region, in all kinds of ways. Most importantly, of course, it means that the old, the sick, the vulnerable and the young in Gaza will have a chance to have a little more food, a little more health care, a little more hope that their life will not always be a grinding hell of deprivation and enclosure.

UPDATE: As this post was being written, the newswires began crackling with reports that a major war criminal – a psychopathic thug said to be responsible for the deaths of thousands of people in a vicious campaign of ethnic cleansing – had been apprehended. Naturally, I expected to see George Bush or David Petraeus or Stanley McChrystal or Don Rumsfeld or Nouri al-Maliki being perp-walked to a paddy wagon for their roles in the furious campaign of ethnic cleansing that characterized the murderous “surge” in Iraq. (Yes, the same campaign that Peace Laureate Barack Obama once called “an extraordinary achievement.”) But no, it was old Ratko Mladic, an egregious beserker from the Bosnian wars. Mladic was evidently given up by his long-time protectors in order to facilitate Serbia’s bid to join the European Union.

Commentators are already rushing to join the arrest with the killing of Osama bin Laden as proof that the psychopathic bad guys on the international scene always get caught in the end. And so they do – unless of course they have done their killing, their ethnic cleansing, their drone bombing, their night raiding, their kidnapping, their torturing, and their gulaging for the right side.

 
Crossing the Line: Everything Forbidden Will Come to Light PDF Print E-mail
Written by Chris Floyd   
Tuesday, 24 May 2011 23:39

From that place where the inner eye is sharp, and truth's grip is tight -- around your throat.

 
Some Direction Home: Down the Old Plank Road With Dylan PDF Print E-mail
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Written by Chris Floyd   
Monday, 23 May 2011 00:00

In honor of Bob Dylan's 70th birthday, here's a reprise of a piece I wrote back when he was just a whippersnapper of 63:

There's a legend in my family that we are kin to Uncle Dave Macon. We are for certain distant cousins to the Macons of Wilson County – and Uncle Dave lived in the next county over. My parents met him once, driving to his farm one afternoon when they were teenagers, not yet married. This was not too long before his death.

They found him sitting in a rocking chair on the front porch. He greeted the young strangers like the kinfolk one of them might well have been, invited them into the house, showed them his memorabilia, and gave my mother – one of "them pretty girls from Tennessee" he sang about so often – a small, delicate glass deer as a memento of the visit. Back out on the porch, he picked up his banjo and did a couple of comic numbers from the rocking chair, feet keeping time on the wooden boards. There looked to be some whisky in his friendly manner, they said; perhaps a noonday dram before they had arrived.

It was all over soon enough, but a photograph survives to record the event, a black-and-white print taken with my mother's camera. Uncle Dave is in the rocking chair, legs crossed, battered hat perched on his head, banjo in his lap. His face is puffy, pitted, cadaverous; the fire that had stoked him since his hot young days – in the still-churning wake of the Civil War – is finally going out. A dying man, from a dying world.

But he played for the young folks anyway, out of courtesy, for the hell of it, conjuring up another reality out of rhythm, strings and joyful noise, then letting it dissolve into the air. "Won't get drunk no more, won't get drunk no more, won't get drunk no more, way down the old plank road…"

***

Despite the reputed kinship and this ancestral encounter, the first Uncle Dave Macon song I ever actually heard was one recorded by Bob Dylan: "Sarah Jane." This was on the "revenge" album of out-takes and studio warm-ups that Columbia Records put out after Dylan temporarily left the fold in the early Seventies. When I first heard the song, I thought Dylan had written it himself; certainly the line, "I got a wife and five little children," sung with such full-throated exuberance, seemed like straight autobiography. I didn't realize then the kind of alchemy Dylan could work on other people's songs, how he could make them his own, right down to the marrow.

Like most people who get into Dylan, at first I was dazzled by the originality of his vision, his words, the brilliant fragments of his own kaleidoscopic personality as they were lit up in turn by each new style, each different take or tonal mood. His work seemed a perfect embodiment of the Romantic ideal: art as the vibrant expression of the self – defiant, heroic, fiercely personal. But while that stance is as valid as most of the other illusions that sustain us, it only takes you so far. What I've come to realize over the years is that Dylan's music is not primarily about expressing
yourself – it's about losing yourself, escaping the self and all its confusions, corruptions, pettiness and decay. It's about getting to some place far beyond the self, "where nature neither honors nor forgives." Dylan gives himself up to the song, and to the deeper reality it creates in the few charged moments of its existence. We can step through the door he opens to that far place and see what happens.

Dylan's words – original, striking, piercing, apt – are marvelous, of course. Like Shakespeare's, they knit themselves into your consciousness, become part of the way you see and speak the world. But the true alchemy lies in the performance. The phrasing is more important than the phrases, no matter who happened to write them. The grain in his voice – the jagged edge that catches and tears at the weave of life as it flies past – is what moves us through that open door. Along with the music, obviously: the mathematical and emotional interplay among the musicians, shaped by Dylan's guiding will. When it all works, and it usually does, it's artistry of the highest order. As they say back home, you can't beat it with a stick.

***

You can follow Dylan through many doors, into many realms: the disordered sensuality of Symbolist poetry, the high bohemia and low comedy of the Beats and Brecht, the guilt-ridden, God-yearning psalms of King David, the Gospel road of Jesus Christ, the shiv-sharp romance of Bogart and Bacall. There's Emerson in there, too, Keats, Whitman, even Rilke if you look hard enough: fodder for a thousand footnotes, signposts to a hundred sources of further enlightenment.

But if you go far enough with Dylan, he'll always lead you back to the old music. This is the foundation, the deepest roots of his art, of his power. For me, as for so many people, he was the spirit guide to this other world, this vanished heritage. He has somehow – well, not just "somehow," but through hard work and endless absorption – managed to keep the tradition alive. Not as a museum piece, not like a zoo animal, but as a free, thriving, unpredictable beast, still on the prowl, still extending its range.

Early on, Dylan realized that the essence of the old music was not to be found in the particular styles of picking and singing rigorously classified by the ethnographers and carefully preserved by purists. Traditional music was idiosyncratic, created by thousands of unique individuals working their personal artistry on whatever musical materials came to hand, in cotton fields, coal mines, granges, churches, factories, ports, city streets and country roads. Who else in the world ever sounded like Roscoe Holcomb or Charley Patton? Their art was as distinctive as that of Beethoven and Chopin, who also drew on traditional elements to make their music.

No, what the old music held in common, what made it penetrating and great, was not some mythological collective origin or expression of sociocultural mores; it was a shared DNA of fundamental themes, fundamental truths – the double helix of joy and mortality, threaded like twine, tangled like snakes, inextricable, irresolvable. It was this genetic code that Dylan used to grow his own art, in its own unique forms.

Joy and mortality: the psychic pain of being alive, your mind and senses flooded with exquisite wonders, miraculous comprehensions – and the simultaneous knowledge of death, the relentless push of time, the fleeting nature of every single experience, every situation, every moment, dying even as it rises. There's pain waiting somewhere – from within or without – in every joy, a canker in every rose we pluck from the ground of being.

This awareness shadows the old music – deepens it, gives it the bite of eternal truth. It's there even in the joyful noise of Uncle Dave Macon, so happy that he whoops out "Kill yourself!" in manic glee as he gallops down the old plank road. Yet in the songs that deal directly with this shadow, such as the blues, full of hard knowledge, hard pain, the very act of singing that pain gives rise to a subtle joy, and a kind of solace. The old songs, and the ones Dylan has built upon them, create another reality, an impossible reconciliation, where time stands still, life and death embrace, decay is banished, and all our pettiness, our evil urges, our confusions are arrested and transcended. Until, of course, the song itself, being mortal, fades away as the music ends.

***

Dylan's music can provide a doorway out of yourself – "a pathway that leads up to the stars" – but it can also help bring you back to yourself, to what you should be doing with your life: attending to these eternal truths, trying to take that code and carry it forward, pass it along, using whatever materials – musical or otherwise – that your life and history and inclinations have given you. In this case, Dylan brought me back to my own heritage; it was decades after hearing his "Sarah Jane" that I first mentioned Uncle Dave Macon to my father and heard the story of that long-ago visit, and was given the photograph to keep, and pass on.

Perhaps the kind of transcendence I've talked about here only works if you're a certain kind of person, with your nerves aligned in a certain way, attuned to a certain signal. Perhaps it's all a happenstance of biochemistry. I don't know. In a world where every understanding, no matter how profound, is provisional, temporary, clouded and corrupted, I wouldn't make universal claims for any particular path. I do think that the experience of the heightened reality offered by Dylan's music – and by all the places he leads us to – holds out the promise of a rough-hewn wisdom, something that can make us feel more alive while we're living, while our brief moment is passing.

Anyway, it works for me.

 

 
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