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More Posts from the Lens Archive:
Region in Revolt
Lens highlights the remarkable imagery from the uprisings in the Arab world.
- Goran Tomasevic:
Street Fighting in Aleppo - Robert King:
A Rare View of Conflict in Syria - Oliver Hartung
Assad's signs in Syria - Rodrigo Abd
A Syrian Boy's Grief on Page 1 - Bryan Denton
Almost Dawn in Libya: A Shared War - Tyler Hicks
Recounting a Journey Into Syria - Yuri Kozyrev
At Home on Revolution’s Road - Ed Ou and Ben Solomon:
A year later in Egypt - Moises Saman:
Even in Egypt, a Long Way to Go - Michael Kamber:
Photographing Conflict for the First Time - Moises Saman:
A Western Photographer in Hama, Syria - Bryan Denton:
A Towering Perspective on Libya - Anton Hammerl:
Photographer is Killed in Libya - Anton Hammerl:
Hammerl missing in Libya - Chris Hondros:
Chris Hondros, at Work in Libya - Chris Hondros:
Parting Glance: Chris Hondros - Time Hetherington
Parting Glance: Tim Hetherington - Guy Martin
At 27, Guy Martin Becomes a Veteran - Ed Ou:
In Libya, 'Life Goes On in Its Own Way' - Lynsey Addario:
'It's What I Do'
Art of Photojournalism
In showcases and essays, in archival and commemorative posts, Lens presents the finest pictures, past and present.
- Conrad on a dance marathon
- An ethics lesson?
- Friedman on Russian corruption
- The newest, young Americans
- Teenagers document America
- Martinez on lifelike baby dolls
- Cyanotypes of New York City
- Turning point: Brad Vest
- World Press 2012
- Paley in Afghanistan
- Elan on gay couples in Vietnam
- Steinmetz in the air
- Gordon Parks on fashion
- Varzariu's photos of Roma
- Light in a dark city
- Kenneally in Bushwick
- Winter's tigers
- Astrada on domestic violence
- Kodak's idealized colorama
- A mystery photo album
- Gordon Parks on civil rights
- African-American fatherhood
- Greene on race and identity
- Davis's self-portraits
- Teens in Appalachia
- Clark on an intimate bond
- Mark's portraits
- Amelia and the animals
- Holton on the Lam family
- Altered photo from North Korea
- Mollison's portraits of children
- Heisler's father's photos
- World War II mystery solved
- A Nazi photo album
- Bill Cunningham's hats
- Ou on drugs in Vancouver
- The Sartorialist's journey
- Is journalism dead?
- Kenneally on Katrina victims
- Simon documents contraband
- Sigurdsson captures volcano
- Gilbertson on war dead
- Greenfield in Dubai
- World Series time lapse
- Farewell to DeCarava
- Huey at Pine Ridge
- Times's Afghanistan archives
Craft of Photojournalism
Lens takes its readers behind the scenes and on assignment with news photographers around the world.
- Mohin on the joy of dance
- Q&A with Eugene Smith
- A long shot in Mexico
- Hicks in Gaza
- Conrad on Meyerowitz
- Obama, then and now
- Catching the candidate
- Bengiveno on Donna's Diner
- Van Agtmael, unembedded
- Convention storybook
- Silverman on dodging the police
- Jacobsohn at the Olympics
- Chang Lee in London
- Mills at the Olympics
- Brown on endangered species
- Barton on Namath
- Hossaini on a suicide bombing
- Silva back in action
- Mills shoots twice, at once
- Bengiveno on coming out
- Platner on Neo-Nazi home
- Keller with Silva and Marinovich
- Fake Bin Laden pictures
- Cracking down on croparazzi
- Conrad's best in show
- Winter on Hipstamatic
- Silva's steps
- Sun sets on Kodachrome
- Fourteen actors acting
- Silva in Afghanistan
- Winter and his iPhone
- Archibald on son's autism
- Putting a face on the oil leak
- Sharrett on Obama's dance
- Hicks on Tablighi Jamaat
- Bengiveno on chickens
- Miller's fetal pictures
- Avakian covers own cancer
- Cheney: chop and crop
- War photo: to publish or not?
- Digital manipulation
- Young Michael Jackson
- Guttenfelder in Afghanistan
- Tavakolian in Iran
- Four views of Tiananmen
- And a fifth view of Tiananmen
- The “pink boxers” soldier
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About Lens
Lens is the photography blog of The New York Times, presenting the finest and most interesting visual and multimedia reporting — photographs, videos and slide shows. A showcase for Times photographers, it also seeks to highlight the best work of other newspapers, magazines and news and picture agencies; in print, in books, in galleries, in museums and on the Web. Here are some suggestions for getting the most out of Lens. You can also send us an e-mail message.
