In Madison Square Park, Josiah McElheny’s sculptural installation serves as a backdrop for choreographic works by Rashaun Mitchell, Silas Riener, Netta Yerushalmy and others.
The programs by Emery LeCrone Dance, Claudia Schreier & Company, Cirio Collective, Gemma Bond and Amy Seiwert’s Imagery featured many dancers and several big names, but the works themselves were less than stellar.
At the Lincoln Center Festival, George Balanchine’s three-act work was a glittering collaboration of the Paris Opera Ballet, the Bolshoi Ballet and the New York City Ballet
To end its run at the Metropolitan Opera House, American Ballet Theatre offers a series of performances inspired by the music of Peter Ilyitch Tchaikovsky.
Artist David Michalek, in collaboration with Yvonne Rainer, expands one of the avant-garde dancemaker’s works into a sprawling, multi-display video project.
Alexei Ratmansky partners with artist Mark Ryden to confect a deliciously sweet rendition of Heinrich Kröller’s 1924 ballet to a Richard Strauss score.
While New York City Ballet’s collection of post-Balanchine dances features talented performers, the works on the program are a mixed bag.
At the Joyce, France’s Compagnie CNDC Angers-Robert Swinston presents a program that provides a window into Cunningham’s work from the mid-1960s to the early ’80s.
Anne Teresa De Keersmaeker brings a continuous dance and music event to the Museum of Modern Art’s atrium.
Alexei Ratmansky choreographs Stravinsky’s longest ballet, an allegory about the seductive power of an artist’s muse.
Debuts, roles revisited and a pair of world premieres mark a season that highlights some of the most talented names in ballet, including Tiler Peck, Justin Peck and Chase Finlay.
Tchaikovsky’s Christmas classic gets a Chicago-centric staging from Christopher Wheeldon.
A five-decade sampling from an iconic minimalist dancemaker
‘The Blues Project’ brings Dorrance Dance, Toshi Reagon and BIGLovely to the Joyce Theater in an hour of syncopated virtuosity.
A mixed bill from the Mark Morris Dance Group and an all-male troupe’s intense costuming make for striking encounters.
A strong roster helps works stand out in ABT’s fall season.
New York City Ballet features designer-dressed productions, with mixed results.
Meant to be viewed from four sides, this form with roots in the 18th and 19th centuries is getting a modern treatment by several choreographers.
References from the Madonna and Child to Matisse abound in John Jasperse’s latest offering.